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Bio Natalia Solomonoff / Vitae Natalia Solomonoff BIO Natalia Solomonoff is a composer born in Rosario, Argentina. She studied Composition in Argentina and Germany (Universidad Nacional del Litoral and Folkwang Hochschule Essen). Her creative work encompasses chamber, symphonic, electroacoustic, and mixed music compositions, as well as works for improvisation groups. Her research interests focus on the relationship between music and politics, creative and learning processes in composition, and musical thought and creation in Latin America. She received scholarships, grants, and composition awards from national and international institutions. She has been invited to numerous international festivals and has served as a jury member for teaching and composition competitions. Since 2001 she is teaching at the Instituto Superior Provincial del Profesorado de Música de Rosario. In 2014, she was appointed through a competitive process as Professor of Composition at Instituto Superior de Música de la Universidad Nacional del Litoral (Santa Fe, Argentina). In 2021, Ensemble Reflexion K (Germany) and the Deutschlandfunk co-produced the monographic CD TARJO- Natalia Solomonoff by the record label AMBITUS Natalia Solomonoff is the compyler of the book Lecturas/Escuchas periféricas by Suono Mobile Editora, 2018. Her texts have also been published by MusikTexte, the Iberoamericanisches Institut Berlin, Casa de las Américas, Biblioteca Nacional (Argentina), Ed. Gourmet Musical, Revista del Instituto Superior de Música de la Universidad Nacional del Litoral, Dobra Robota, among others. Her music has been performed in Germany, Switzerland, England, Spain, Canada, Mexico, the USA, Colombia, Bolivia, Uruguay, Chile, Brazil, Peru, and Argentina. References in Komponisten der Gegenwart , Lexikon Neue Musik , MusikTexte Nº147 (by Graciela Paraskevaídis), MusikTexte Nº169 (by Wolfgang Rüdiger), Actas del XVII Congreso de Musicología de la A.A.M. (by Miguel Angel Baquedano), Musiktexte Nº111 (by Thomas Beimel). web sites Viajero inmóvil experimental/Natalia Solomonoff. Composiciones 2005-2019 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2005-2015-vol-2 soundcloud https://soundcloud.com/natalia-solomonoff Scores https://www.babelscores.com Youtube Natalia Solomonoff Eymann (música, entrevistas) https://youtu.be/Wy9LyujIxPE

Concerts and Projects Archive 2022-2023 Concerts and other projects November 2023 24/11/2023: Rehearsals and premiere from ríos cruzados (2023), for micro-intervallic guitar quartet, Tradiciones y vanguardias en diálogo, Festival Internacional de Arte Sonoro Monteaudio 23, Auditorio Quitapenas, Montevideo, Uruguay, Intérpretes: Francisco Chiesa, Nicolás Gonzalez, Andrés Rey, Juan Pedro Souxa. https://www.artes.udelar.edu.uy/actividad/concierto-del-cuarteto-de-guitarras-microintervalicas/ 22 - 25 November: Academic exchange. Proyecto de intercambio académico, investigación y composición con la cátedra de Composición de la Escuela Superior de Música de la Universidad Nacional de la República. Proyecto de investigación-creación para el Cuarteto de guitarras microinterválicas de la UDELAR. Conversatorio y exposición. 25/03/2023: Premiere from uno, dos cielos (2023), for oboe and clarinet. Commissioned by Eduardo Spinelli (Clarinete) and Christian Kemper (Oboe) for the concert: fragua II ort/peteer kowald Gesellschaft, Wuppertal, Germany. Christian Kemper, oboe, Eduardo Spinelli, clarinet. https://www.eduardospinelli.com.ar/actual 02/02/2023: Arbol de la dicha . Project: Invitaciones, Neue Musik aus Lateinamerika, commissioned by Ensemble Partita Radicale, Wiesenstr. 6, Wuppertal, Germany. October 2022 10 al 12/11: Segundas Jornadas de Estudio de Música y Ecología. Instituto Superior de Música de la Universidad Nacional del Litoral. Lecture: Una manera de escuchar el mundo: A entera revisación del público en general, de Graciela Paraskevaídis, a 40 años de su estreno . 30/10/2022: Premiered work Volátil (2022), for flute, clarinet, violin, violoncello and percussion. Commissioned work by Ensamble NEOS. Dir. Sebastián Boeris. CHELA, Buenos Aires. 16/10/2022: Premiered work Lomo de Barro (2022). Commisioned by Ensamble Vertixe Sonora (Spain). Igrexa de San Domingo. Tui (España). For flute, oboe, saxophone, trumpet, trombone, accordeon, percussion, piano, electric guitar, violin, viola, violoncello and contrabass. https://youtu.be/o96Wh1CmAMs?si=FgADkOkZQhJuBmWk 09/10/2022: Premiered work Arbol de la dicha . Commissioned by Ensemble Partita Radicale. Glasshalle, Skulpturenpark, Wuppertal, Germany. https://youtu.be/Ox99l4752yE?si=NbbgeiGyI_Y7rxcF https://youtu.be/vDb-TRkqedQ?si=a7yscE7r-jSFyAs- https://youtu.be/DcC7IIcd5yY?si=F844z9zJ5Ts3dxen Concert: https://www.youtube.com/live/M-wnRCJrQxQ?si=rhi4gDZBUnkw19gw August 2022 22 al 24 de agosto: Expositora en el Seminario Internacional Territorios Sonoros: Músicas Identidades Transformaciones. Universidad Nacional de las Artes (Buenos Aires). Exposición: Una manera de escuchar el mundo. A entera revisación del público en general, de Graciela Paraskevaídis. 01 al 05 de Agosto: Compositora invitada del X Encuentro Internacional de Compositores y compositoras organizado por el Instituto de Música de la Pontificia Universidad Católica (Santiago de Chile) y el Departamento de Música de la Universidad Metropolitana de Ciencias de la Educación (UMCE), con el apoyo del IMUC, Programa IBERMUSICAS, Embajada de Suiza en Chile, Dirección de Vinculación con el Medio y Extensión de la UMCE, y el patrocinio del Goethe Institut y el Instituto Francés de Chile. https://www.encuentrocompositores.com/x-encuentro-2022?fbclid=IwAR1vLUTucVxY_gyhS3f0fU1vcPjdk28caHxzE96AbKEXCAqEA0vUnK7HHeU 01/08/2022: Estreno de la obra Frágil - Encargo del Ensamble Taller de música contemporánea, X Encuentro Internacional de Compositores y compositoras. Ensamble con flauta, clarinete, flauta Paetzold, violín, violoncello, percusión y piano. April 2022 22/04: Participación como expositora en la Jornada: Musik der Kulturen. Kulturen der Musik. Musikhochschule Düsseldorf. Exposición: Begegnungen im Klang. Komposition als Dialog der Kulturen. 08/04 al 28/04 de 2022: Estreno de Arbol de la dicha (2019-2022), Tres piezas para dos flautistas, un/a acordeonista y un/a trombonista. Comisión del Ensemble Partita Radicale (Alemania). Proyecto “Invitaciones. Neue Musik aus Lateinamerika” Estreno y presentaciones en concierto en gira con el Ensamble de improvisación Partita Radicale (Wuppertal, Colonia, Bonn, Solingen). http://www.partitaradicale.de https://youtu.be/Ox99l4752yE?si=NbbgeiGyI_Y7rxcF https://youtu.be/vDb-TRkqedQ?si=a7yscE7r-jSFyAs- https://youtu.be/DcC7IIcd5yY?si=F844z9zJ5Ts3dxen concierto completo: https://www.youtube.com/live/M-wnRCJrQxQ?si=rhi4gDZBUnkw19gw 16/01/2022: Presentación de Karg (2016), para flauta y violoncello. Beatrix Wagner y Gerald Eckert, Festival Fraktionen, Nüremberg. Zionskirche Behtel, Bielefeld. https://www.frakzionen-festival.de/frakzionen-2022/ausf%C3%BChrende/ensemble-reflexion-k/ 15/01/2022: Estreno en Alemania: Incierto suelo cielo (2018), para orquesta. Sinfonieorchester der WDR en Concierto IV- Festival Musik der Zeit. Funkhaus WDR, Köln, 20 Hs. 2021 Participación como compositora invitada en las Jornadas de Análisis de música argentina. Presentación: Proceso compositivo en HSxCDxEG, de Natalia Solomonoff. Compositora invitada de las XI Jornadas de Música Contemporánea organizadas por el Círculo Colombiano de Música Contemporánea. Presentaciones : Autorretrato e Ingenierías tímbricas y poética musical. Desafíos, preguntas y reflexiones a propósito de la creación musical en Latinoamérica para grandes ensambles y formatos orquestales.

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Grabaciones Natalia Solomonoff, Cds. Natalia Solomonoff, Música de Natalia Solomonoff, Audios Natalia Solomonoff RECORDINGS TARJO (2021) NATALIA SOLOMONOFF Ensemble Reflexion K, Director: Gerald Eckert Beatrix Wagner (Flutes), Anja Schmiel (Oboe), Joachim Striep (Clarinets), Jakob Meyers (Bassoon), Eva Zöllner (Accordion), Eva Curth (Harp), Martin von der Heydt (Piano), Vera Schmidt (Violin), Lenka Zupkova (Violin), Christiane Veltman (Viola), Burkart Zeller (Cello), Gerald Eckert (Violoncello). Guests: Maria Bulgakova (Sopran), Natalia Solomonoff (Composition and Electronics) Natalia Solomonoff: Compositions 2009-2019 Viajero inmóvil experimental https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2005-2015-vol-2 Ignición (2020), for Saxophone Quartett . Cuarteto de saxofones Tsunami (Buenos Aires) CD Luz mala https://open.spotify.com/intl-es/track/3ftXkZVgNYoisqbxHwsXNS?si=1ffcaf838eb8471acc HSxCDxEG (2018), for Violin and Piano CD Manos a las obras Elías Gurevich (Violine) and Haydée Schvartz (Piano) https://open.spotify.com/intl-es/track/7o7CN7FN1tv4D43Vb11YJM?si=2bc21baef51547ca https://youtu.be/hiyQpT4xzMs?si=FswsNtKh6wrirJOK Raunächte (2013), for Sopran, Flute, Clarinet, Violin, Violoncello, Piano and Electronics. Direction: Aparicio Alfaro. Instituto Superior de Música - Universidad Nacional del Litoral Calizas (1991) , for soprano voice, flute and violin. Edition of the Fondo Nacional de las artes (1999) CD nº 21 of the serie Panorama de la música argentina https://youtu.be/fkwBQgHNI0M?si=WlBWRsgI5qOhek9T https://open.spotify.com/intl-es/track/4A80DD4AKqACQiCCYmWt7f?si=05987547fd36450b Trama (2015) , for two flautists. MEI Duo - Music for Flutes. Juliana Moreno and Patricia García. https://open.spotify.com/intl-es/track/5ZQQ02rPy7doUnEf3bdmuO?si=e6e6d4a89d9e4d17 https://youtu.be/BwPVFmaz1DQ?si=7kgSFt8UlbUe1Zz3 Pájaros arcanos (2005) Sextet Commissioned by the Ausum Ensemble. Direction: Federico Gariglio https://youtu.be/ScmPMYdivJA?si=BRrDLUXK4nX0JkKn Del bostezo de Thyke (1995) , for flute, tenor trombone, violin and double bass (1995). Concurso Nacional de Composición Editar- National Composition Award- EDITAR Contest.

Activities and Performances Natalia Solomonoff E V E N T S 2020 17/11/2020 HSxCDxEG (2018), for violín and piano. Premiered in New York. Americas Society/ Council of the Americas Video: Concert in streaming 17/11/202 0 https://youtu.be/oz4ePoHfBII Beginn in the minute 57:00 https://www.as-coa.org/events/postponed-counterinduction-nueva-m%C3%BAsica/overview 26/06/2020 Quema (2018), for oboe, B clarinet and fagot. Commissioned by the Festival Antiqua/Nova for the Ensemble Aventure (Freiburg). Premiere in Freiburg (Germany) Spots/Open air Concert at the Elisabeth Schneider Stiftung. http://www.ensemble-aventure.de/de/aventure/konzerte/veranstaltung/konzertausverkauft---spots-%E2%80%93-erf%C3%BCllte-augenblicke---open-air-26 30/04/2020 HSxCDxEG (2018), for violin and piano. Posponed Concert!!! New York. Americas Society/ Council of the Americas https://www.as-coa.org/events/postponed-counterinduction-nueva-m%C3%BAsica/overview 23, 24 and 26 April Arbol de la dicha Premiere in Germany! "Invitaciones" a Project from Partita Radicale. Commissioned Work Ensemble Partita Radicale (Wuppertal) http://www.partitaradicale.de/ Tournee in Germany (Bonn, Bochum, Köln, Wuppertal, Düsseldorf) miércoles 22, 23, 24 y 26 April with a Conference at the Robert Schumman Musikhochschule Düsseldorf Posponed because the COVID 08/03/2020 Festiva (2019), for Flute/Bassfl., cello and percussion, Premiered in Nürnberg at the Neues Museum Nürnberg Klarissenplatz Ensemble Klangkonzepte. Dir: Wilfried Krüger https://www.klangkonzepteensemble.de/ 25/01/2020 Ignición (2019) for saxophonesquartett. Commissioned by the Cuarteto Tsunami. Cuarteto de Saxos for the Vº Concierto del Festival Internacional de Música Contemporánea del Teatro San Martín de Buenos Aires. https://complejoteatral.gob.ar/ver/ciclo-musica-contemporanea-2020/concierto-v Year 2019 Sunday 26 may festiva (2019) Premiere! para flauta/flauta bajo, violoncello y percusión E ncargo de la Compañía Oblicua en festejo de sus 15 años. Dirección: Marcelo Delgado Lugar: La Cúpula, Centro Cultural Kirchner, Buenos Aires, 20.00 hs. http://www.cck.gob.ar/eventos/compania-oblicua-postales-sonoras-de-hoy_3277 martes 07 de junio quema (2018), para oboe, clarinete en Sib y fagot. Encargo del Festival Antiqua/Nova. Intépretes: Ensemble Aventure (Freiburg) Festival ForumWallis, Schloss Leuk, Suiza https://forumwallis.ch/programm-2019ensembleaventure.htm crítica del concierto: http://5against4.com/2019/06/20/forum-wallis-2019-part-2/ domingo 25 de agosto Charla: Natalia Solomonoff: Las reglas del juego en su música. Invitación y organización: Ensamble Kaparilo. Rosario. Concierto: presentación de entramados , para flauta solista y (sobre)dimensiones del diálogo , para flautín, violín y video. Intérpretes: Emiliano Zamora e Ignacio Quiroz miércoles 5 de septiembre, de 17:00 a 18:45 Charla : Músicas en diálogo: proceso compositivo y poética en piedra viva (2017) y HSxCDxEG (2018) Primer Encuentro Nacional de Composición. Instituto Universitario Patagónico de las Artes. General Roca ( 04 al 07 de septiembre 2019) http://iupa.edu.ar/sitio/primer-encuentro-nacional-de-composicion-musical/ martes 24 y viernes 27 de septiembre drostes (2019) estreno! para ensamble de cámara con dos percusionistas y electrónica grabada. Encargo del Ensemble Reflexion K (Alemania) Estrenos: Madrid: Teatro Galileo/ Eckernförde: NIkolaikirche Duo Neo Percusion-Ensemble Reflexion K https://www.elcompositorhabla.com/es/noticias.zhtm?corp=elcompositorhabla&arg_id=1764 http://www.neuemusik-eckernfoerde.de/Sept2019_engl.html lunes 30 de septiembre entramados/en cueros (2015-2016) para flauta solista estreno en Argentina. Intérprete: Paula César Primer Simposio de Flauta Contemporánea https://sites.google.com/view/dsmc/oportunidades/primer-simposio-de-flauta-contempor%C3%A1nea martes 02 de octubre piedra viva (2017-2019) estreno!! compuesta para el Ensemble de cámara de la OEIN. Encargo de la Orquesta Experimental de Instrumentos Nativos de Bolivia Fundación Patiño. La Paz, Bolivia https://www.espacio.fundacionpatino.org/obra?id=2236 viernes 4 de octubre (sobre)dimensiones del diálogo (2016) para flautín, violín y video. Biblioteca Argentina. Rosario. Ciclo Nuevas Partituras . Concierto del Ensemble Kaparilo Intérpretes: Emiliano Zamora e Ignacio Quiroz http://entrenotas.com.ar/ciclo-nuevas-partituras-con-kaparilo/ jueves 11 de octubre karg (2016), para flauta/fl. bajo y chelo. Encargo del Dúo Reflexion K: Beatrix Wagner (Fl.) y Gerald Eckert (Vc.)- IIIº Jornadas de Audio y Acústica, Salta, Argentina http://www.jaas.com.ar/programa/#&gid=1&pid=1 martes 15 de octubre karg (2106) Presentación en las IX Microjornadas de Composición y música contemporánea de Córdoba. AUla Magna Universidad Nacional de Córdoba https://www.facebook.com/events/810774102714863/ martes 15 de octubre Ariones (2001), para dos trombones Ciclo de Música Contemporánea Sala Auditorio Conservatorio Superior de Música "Félix Garzón", Córdoba. Organizadora: María Victoria Asurmendi https://www.ficfe.com/cronograma viernes 26 de octubre piedra viva (2017-2019) estreno en Cuzco, Perú!! Ensemble de cámara de la OEIN. Encargo de la Orquesta Experimental de Instrumentos Nativos de Bolivia. viernes 9 de noviembre Tarjo (2011), para ensamble de 7 instrumentos Ensemble Reflexion K- NicolaiKirche Eckernförde. sábado 23 de noviembre Conferencia. Primer Festival Internacional de Coros Femeninos de Latinoamérica. Puerto Madrin, Argentina. Premiación del Primer Concurso de Composición en homenaje a Marta Lambertini.

about Natalia Solomonoff, Texts about Natalia Solomonoff REFERENCES ARTICLES 2021: Rüdiger, Wolfgang. “Inneres und äusseres Feuer: zu ‘Quema’ für Oboe, Klarinette und Fagott von Natalia Solomonoff ”, in MusikTexte nº 169. Köln: Musiktexte. 03/ 2021. pp. 01-08 2016: Baquedano, Miguel Angel. “Composición y función relativa del timbre en la música contemporánea argentina.” in Actas de las Jornadas Argentinas de Musicología , pp.512-528. http://www.ism.unl.edu.ar/media/Musicologia/Actas_2016_AAM_INM.pdf 2015: Paraskevaídis, Graciela: “Niemand. Nur Spuren… Portrait der argentinischen Komponistin Natalia Solomonoff”, in Musiktexte nº 147 , 11/2015, pp. 05-10. https://musiktexte.de/MusikTexte-147 2006: Beimel Thomas:“Ketzerische Klänge aus der Pampa. Komponisten aus Rosario in Argentinien ”, en Musiktexte nº 111. Köln: Musiktexte. 11/ 2006. pp. 19-24. NOT PUBLISHED 2020: Graciosi, Diego: Análisis sobre la obra “Calizas” (Natalia Solomonoff) para soprano, flauta traversa (píccolo) y violín . Departamento de Música. FDA-UNLP- Cátedra de Composición- 2019: César, Paula: Si no se la oye, no trasciende...Panorama actual de las compositoras argentinas. Cuatro obras para flauta sola . Tesina de la Diplomatura Superior en música contemporánea. Directora: Patricia Da Dalt. 2018: Villafañe, Cristian Cesar A.: La representación de diferentes espacios en karg (2016) de Natalia Solomonoff. DICTIONARIES 2015: Paraskevaídis, Graciela: “Natalia Solomonoff”, en Komponisten der Gegenwart, N º 53, 06/2015. https://www.munzinger.de/search/kdg/Natalia+Solomonoff/919.html 2016: Paraskevaídis, Graciela: “Natalia Solomonoff”, en „Lateinamerika” (pp.358-361), en Lexikon Neue Musik . Frankfurt: Metzler/Bärenreiter, p.360. 2007: Cozzi, D. et al. “Natalia Solomonoff”, in La Creación Musical en Rosario , R osario: Secretaría de Extensión Universitaria de la Universidad Nacional de Rosario. 2006: Donoso, L. “Solomonoff, Natalia”, in Diccionario Bibliográfico de la música argentina y de la música en la Argentina . Buenos Aires: Gourmet Musical Ediciones, p.471. VIDEOS / PODCAST 07/10/2020: El trabajo colaborativo entre compositores e intérpretes. Videoconferencia. Punto de encuentro: Interview (Escuela Universitaria de Artes. Universidad Nacional de Quilmes) https://youtu.be/i6TY6wRAyqM 21/04/2020: La cocina de la composición musical. Entrevista: Prof. Lic. Diego Graciosi https://youtu.be/j6jIbVz9RqQ 01/06/2019: Die Stille der abwesende Vögel (broadcast from 16/04/2016) by Deutschlandfunk. Texts: Thomas Beimel. https://www.deutschlandfunk.de/komponistin-natalia-solomonoff-die-stille-der-abwesenden.1990.de.html?dram:article_id=449295 07/01/2018: Interview Programa radial Núcleo Música Nueva de Montevideo . https://youtu.be/xQ-qrFQQ-pg 15/06/2017: "Compositores argentinos", Programa INMERSO (UN Radio Bogotá) http://unradio.unal.edu.co/nc/en/detalle/cat/inmerso/article/compositores-argentinos.html

Activities and Performances Natalia Solomonoff premieres/presentations 2020 Ignition (2019) Premiere! for Saxophone Quartet. Tsunami Quartet Commission. Saxophone Quartet for the 5th Concert of the International Festival of Contemporary Music of the Teatro Gral San Martín Premiere: 01.25.2020 festiva (2019) for flute/bass flute, violoncello and percussion. Premiere in Nürnberg (Germany) Concert: Weltenmusiken.SÜdamerika. Neues Museum Nürnberg, 11:15 am. Ensemble Klangkonzepte. Dir: Wilfried Krüger. Tree of Bliss (2019-2020) Commission of the Ensemble Partita Radicale (Germany) for the "Invitations" Project. Three pieces for two flutes, accordion and trombone. Premiere, with tour and concerts in Bonn, Wuppertal, Bochum and Köln. To replicate in Argentina. (cancelled due to COVID) http://www.partitaradicale.de/ HSxCDxEG (2018), for violin and piano. Concert to be held on 04/30 at: America Society/Council of the Americas. Counter(induction new music. https://www.as-coa.org/events/postponed-counterinduction-nueva-m%C3%BAsica (cancelled due to the COVID pandemic) Quema (2018), for oboe, Bb clarinet and bassoon. Commissioned by the Antiqua/Nova Festival. Performers: Ensemble Aventure (Freiburg) . Premiere in Freiburg (Germany) on 06/26/2020 Spots/Open air concert: at Elisabeth Schneider Stiftung. http://www.ensemble-aventure.de/de/aventure/konzerte/veranstaltung/konzertausverkauft---spots-%E2%80%93-erf%C3%BCllte-augenblicke---open-air-26 premieres/presentations 2019 Sunday May 26 holiday (2019) premiere! for flute/bass flute, violoncello and percussion Commissioned by the Oblique Company in celebration of its 15 years. Direction: Marcelo Delgado Place: La Cúpula, Kirchner Cultural Center, Buenos Aires, 8:00 p.m. http://www.cck.gob.ar/eventos/compania-oblicua-postales-sonoras-de-hoy_3277 Tuesday June 07 quema (2018), for oboe, Bb clarinet and bassoon. Commissioned by the Antiqua/Nova Festival. Performers: Ensemble Aventure (Freiburg) ForumWallis Festival, Schloss Leuk, Switzerland https://forumwallis.ch/programm-2019ensembleaventure.htm concert review: http://5against4.com/2019/06/20/forum-wallis-2019-part-2/ sunday august 25 Talk: Natalia Solomonoff: The rules of the game in her music. Invitation and organization: Kaparilo Ensemble. Rosary beads. Concert: presentation of frameworks , for solo flute and (over)dimensions of dialogue , for piccolo, violin and video. Interpreters: Emiliano Zamora and Ignacio Quiroz Wednesday, September 5, from 5:00 p.m. to 6:45 p.m. Chat : Music in dialogue: compositional and poetic process in living stone (2017) and HSxCDxEG (2018) First National Meeting of Composition. Patagonian University Institute of the Arts. General Roca (September 04 to 07, 2019) http://iupa.edu.ar/sitio/primer-encuentro-nacional-de-composicion-musical/ Tuesday 24 and Friday 27 September drostes (2019) premiere! for chamber ensemble with two percussionists and recorded electronics. Commissioned by Ensemble Reflexion K (Germany) Premieres: Madrid: Teatro Galileo/ Eckernförde: NIkolaikirche Duo Neo Percussion-Ensemble Reflexion K https://www.elcompositorhabla.com/es/noticias.zhtm?corp=elcompositorhabla&arg_id=1764 http://www.neuemusik-eckernfoerde.de/Sept2019_engl.html monday september 30 half-timbered/leathered (2015-2016) for solo flute premiere in Argentina. Interpreter: Paula Cesar First Contemporary Flute Symposium https://sites.google.com/view/dsmc/opportunities/first-symposium-of-flute-contempor%C3%A1nea tuesday october 02 living stone (2017-2019) premiere!! Composed for the Chamber Ensemble of the OEIN. Commissioned by the Experimental Orchestra of Native Instruments of Bolivia Patino Foundation. La Paz, Bolivia https://www.espacio.fundacionpatino.org/obra?id=2236 friday october 4 (over)dimensions of dialogue (2016) for piccolo, violin and video. Argentine Library. Rosary beads. Cycle New Scores . Kaparilo Ensemble Concert Interpreters: Emiliano Zamora and Ignacio Quiroz http://entrenotas.com.ar/ciclo-nuevas-partituras-con-kaparilo/ Thursday October 11 karg (2016), for flute/fl. bass and cello Commissioned by the Duo Reflexion K: Beatrix Wagner (Fl.) and Gerald Eckert (Vc.)- III Conference on Audio and Acoustics, Salta, Argentina http://www.jaas.com.ar/programa/#&gid=1&pid=1 tuesday october 15 karg (2106) Presentation at the IX Microconferences on Composition and Contemporary Music in Córdoba. AUla Magna National University of Córdoba https://www.facebook.com/events/810774102714863/ tuesday october 15 Ariones (2001), for two trombones Contemporary Music Cycle "Félix Garzón" Superior Music Conservatory Auditorium, Córdoba. Organizer: Maria Victoria Asurmendi https://www.ficfe.com/chronogram friday october 26 living stone (2017-2019) premiere in Cuzco, Peru!! Chamber Ensemble of the OEIN. Commissioned by the Experimental Orchestra of Native Instruments of Bolivia. friday november 9 tarjo (2011), for ensemble of 7 instruments Ensemble Reflexion K- Nicolai Kirche Eckernförde. saturday november 23 Conference. First International Festival of Women's Choirs in Latin America. Puerto Madrin, Argentina. Award of the First Composition Contest in honor of Marta Lambertini. highlights 2018 Thursday, August 9, 2018, 5:00 p.m. Presentation of the book Peripheral Readings -Listening , Compiler: Natalia Solomonoff (comp.). Published by Suono Mobile Editora (Córdoba), Sound Present Days , Higher Institute of Music of the National University of the Litoral (Santa Fe). August 23-24, 2018 Panel: "Referents and decolonizing proposals in contemporary Latin American music", Seminar Hispanic Argentine "Globalization and coloniality/decoloniality of knowledge in literature and the arts in Latin America and Spain" (August 23 and 24, Santa Fe). Seminar "Referents and decolonizing proposals in contemporary Latin American music" 4 meetings on Wednesdays in October, from 5:00 p.m. to 8:00 p.m. Higher Institute of Music Teachers C. Guastavino, Rosario. premieres/ others november 2018 Thursday , November 08, 2018 uncertain ground sky (2018), for orchestra Commissioned by the UNC Symphony Orchestra, Composition Micro-days 2018. Córdoba. Saturday November 17, 2018 HSxCDxEG (2018) premiere!, for violin and Piano. Premiere Concert Tribute to Claude Debussy. Assignment of the Manos Program the Work, Haydée Schvartz and Elías Gurevich. https://soundcloud.com/natalia-solomonoff/cdxegxhs December 15, 2018 Burn (2018) premiere! , for oboe, clarinet and bassoon. Commissioned by the Antiqua Nova Festival: Distat Terra Festival 2018. Performers Ensemble Aventure (Freiburg) https://soundcloud.com/natalia-solomonoff/quemasolomonoff December 15 to 22, 2018 Participation as a composer and guest teacher at the Festival Distat Terra Festival 2018 - Third International Workshop for Young Composers AntiquaNova 2018 https://www.facebook.com/fundacionmusicaantiquanova

Performances Natalia Solomonoff, News Natalia Solomonoff, Events Natalia Solomonoff Concerts / Workshops / Festivals / etc. 2018-2015 2018 *12/15/2018 Quema Trio for oboe, Bb clarinet and Bassoon. Commissioned by the Distat Terra Festival / Antiqua Nova Foundation for the Ensemble Aventure (Freiburg) *December 15 to 22, 2018 Guest composer of the Distat Terra Festival 2018 in charge of the 3rd International Workshop for young composers Antiquanova 2018 -DISTAT TERRA- CHOELE CHOEL- https://www.facebook.com/fundacionmusicaantiquanova https://www.facebook.com/fundacionmusicaantiquanova/?hc_ref=ARSgHBVmZIbipYfGFfgHCPh1g39gKdez14oKX-Ae00JZMSK75YUvkl2XK8E9P3Z0dVM&fref=nf https://www.fundacionmusicaantiquanova.org Premiere! C oncert Tribute to the composer Claude Debussy *11/17/2018: HSxCDxEG Duo for Violin and Piano. Commissioned by the Duo "Manos a las Obras", Haydée Schvartz (piano) and Elías Gurevich (Violin) and Radio Clásica Nacional. Concert Tribute to the composer Claude Debussy (Buenos Aires) https://soundcloud.com/natalia-solomonoff/cdxegxhs Premiere! Composition Microdays I usually *11/08/2018: uncertain for symphony orchestra. Commissioned by the UNC Symphony Orchestra (Córdoba) and the Composition Micro-days darling Artistic Direction of the UNC Orchestra: Mtro. Daniel Maza. https://clasicacordoba.com.ar/el-sonido-contemporaneo/ * From 05 to 08: Guest Composer of the Composition Micro-days (Córdoba, from November 05 to 08). Composition workshops with the Duo MEI-Music for flutes (Juliana Moreno and Patricia García, Buenos Aires) and with Eduardo Spinelli. * Member of the Jury of the Composition Contest for the Composition Microjornadas: Composition Contest for orchestra https://www.unc.edu.ar/sites/default/files/Resultado%20de%20la%203era%20Convocatoria%20Nacional%202018.pdf *Course of four meetings on Wednesdays in October from 18:30 to 20:30 References and decolonizing proposals in Latin American contemporary music . Four encounters. Higher Institute of Music Teachers No. 5932, Carlos Guastavino, from Rosario. *Monday, October 22, 7:00 p.m. Presentation of the book Peripheral Readings -Listening, Natalia Solomonoff (comp.). Second book published by Suono Mobile Editora (Córdoba), at the Institute of Music Teachers No. 5932, Carlos Guastavino, from Rosario. With the presence of the editors Eduardo Spinelli and Micaela van Muylem. * Thursday, August 9, 5:00 p.m. Presentation of the book Peripheral Readings -Listening, Natalia Solomonoff (comp.). Second publication of Suono Mobile Editora (Córdoba), Sound Present Days , Higher Institute of Music of the National University of the Litoral (Santa Fe). *Friday, August 24 Participation as a speaker: "Referents and decolonizing proposals in contemporary Latin American music", Panelist at the Argentine Hispanic Seminar "Globalization and coloniality/decoloniality of knowledge in letters and the arts in Latin America and Spain" (August 23 and 24, Santa Fe). National University of the Coast. https://www.unl.edu.ar/noticias/news/view/viii_seminario_argentino_%E2%80%93_hispano_1#.XE8G582vFPY *05/23/2018: Calizas , Women in New Music Festival, performers: Ensemble CG; Bogota. *02/17/2018: Karg , performers: Ensemble Reflexion K, Tolstefanz, Germany. Premiere! Concert Festival Weaving Music for Radio by Latin American Women Composers. Work commissioned by UNESCO. *02/23/2018: live , for soprano voice, flute, bass clarinet, violin, cello, percussion and electroacoustic sounds. Guest Composer at the Weaving Music for Radio Festival by Latin American Women Composers , Capella Santa María, Curitiba. Project subsidized by UNESCO. 2017 SERIES OF CONTEMPORARY MUSIC CONCERTS OF THE SAN MARTÍN GENERAL THEATER XXI EDITION 2017. CONCERT XIV: TEN ARGENTINEAN POEMS. PREMIERE OF COMMISSIONED WORKS *11/15/2017: It was a beautiful country , inspired by the poem “Poetry was a beautiful country”, by Jorge Aulicino and “On composition” , based on a poem of the same name by Marina Serrano, for an octet of vocal soloists. Performers: Vocal ensemble of soloists Nonsense (Buenos Aires) https://www.facebook.com/CiclodeConciertosdeMusicaContemporanea KLANGFORUM HEIDELBERG: MUSIK UND DIKTATUR (music and dictatorship) https://klangforum-heidelberg.de/konzerte-termine 10/26/2017: Avtio (Abschied) for trombone and piano. Ensemble Aisthesis (Heidelberg) CONTEMPORARY MUSIC SERIES. NEW SHEET MUSIC. ROSARY BEADS *10/15/2017: Avtio , for trombone and piano. Performers: Alfaro-Bosch Duo. Castagnino Museum, Rosario. FOOTPRINTS (music and identity). Project of the Ensemble New Babylon, Germany. Tour: Germany, Argentina, Chile) http://www.ensemblenewbabylon.com/de/events/huellas *10/15/2017: Fictional , for flute, oboe, percussion, violoncello and piano. Performers: Ensemble New Babylon (Germany), Villa Elisabeth, Berlin. *10/14/2017: Ficcional , Ensemble New Babylon, Kulturhalle, Leipzig. *10/13/2017: Fictional , Ensemble New Babylon, German premiere: Alfred Schnitke, Akademie International, Hamburg. *09/29/2017: Ficcional , Ensemble New Babylon, premiere in Argentina: University of the Arts, University of Quilmes (Buenos Aires) *09/26/2017: Fictional , Ensemble New Babylon, German premiere: Schwankhalle, Bremen. TRIBUTE CONCERT TO GRACIELA PARASKEVAÍDIS. ENSEMBLE ADVENTURE http://www.ensemble-aventure.de/de/aventure/konzerte/veranstaltung/konzertf%C3%BCr-graciela29 *09/29/2017: Goodbye , for bassoon and piano. Performers: Ensemble Aventure (Freiburg). Elisabeht Schneider Stiftung Hall, WilhelmStrasse 17A, Freiburg, Germany. http://www.ensemble-reflexionk.de/Konzerte_2017.html CONTEMPORARY MUSIC SERIES OF THE CERVANTES NATIONAL THEATRE, BUENOS AIRES http://www.teatrocervantes.gob.ar/obra/concierto-ii/ *09/20/2017: Avtio , for trombone and piano. Performers: Alfaro-Bosch Duo. NATALIA SOLOMONOFF MONOGRAPHIC CONCERT CONTEMPORARY LIBRARY CYCLE National Library (Buenos Aires) https://www.bn.gov.ar/agenda-cultural/biblioteca-contemporanea-concierto-monográfico-de-natalia-solomonoff *09/02/2017: karg , for flute (and bass flute) and violoncello. Cast: Beatrix Wagner and Gerald Eckert. Natalia Solomonoff Monographic Concert. Contemporary Library Cycle. J.Luis Borges Room, Mariano Moreno National Library, Buenos Aires. *09/02/2017: Calizas , trio for soprano voice, flute and violin. Cast: Lucía Lalanne, Genevieve Liboiron, Beatrix Wagner. Natalia Solomonoff Monographic Concert. Contemporary Library Cycle. J.Luis Borges Room, Mariano Moreno National Library, Buenos Aires. *09/02/2017: Raunächte . Cycle of 12 short pieces: 1. Interior, 2. Puja, 3. Delta, 4. Night, 5. Icy, 6. Cloudy, 7. Trasluz, 8.Desliz, 9.Rojo, 10. Ethereal, 11. Stubbornness, 12. Solo. For soprano voice, flute, violin, violoncello, piano and electronic sounds. Cast: Lucia Lalanne, Beatrix Wagner, Genevieve Liboiron, Alejandro Becerra, Daniel Añez. Direction: Gerald Eckert. Live electronics: Natalia Solomonoff. SERIES OF CONCERTS „FROM THE SILENCE“. WOMEN COMPOSERS Theater of the Liberator General San Martin, Cordoba (Argentina) https://allevents.in/c%C3%B3rdoba/m%C3%BAsica-desde-el-silencio-ciclo-de-mujeres-compositoras/111377892838342 *08/11/2017: Avtio , for trombone and piano. Alfaro-Bosch duo. Manuel de Falla Museum, Alta Gracia. *08/09/2017: Avtio , for trombone and piano. Alfaro-Bosch duo. Theater of the Liberator General San Martin, Cordoba (Argentina) CONTEMPORARY MUSIC SERIES. SPAIN PARK CULTURAL CENTER, ROSARIO *08/20/2017: : karg , for flute (and bass flute) and violoncello. Cast: Beatrix Wagner and Gerald Eckert. http://www.ensemble-reflexionk.de/Konzerte_2017.html *05/12/2017: karg , for flute (and bass flute) and violoncello. Interpreters: Beatrix Wagner and Gerald Eckert (Eckernförde, Germany). Premiere in Eckernförde, Nikolai Kirche, Eckernförde, Germany. *04/15/2017: karg . Cast: Beatrix Wagner and Gerald Eckert. Karl Geiringer Hall, Santa Barbara, USA http://www.ensemble-reflexionk.de/Konzerte_2017.html 2016 *11/15/2016: Illusion x Fiction , for flute (piccolo and bass flute), oboe, clarinet (and bass clarinet), bassoon and piano. Performers: Ensemble Aventure (Freiburg, Germany). Kapelle des Vonderau Museum, Fulda, Germany. *11/14/2016: Illusion x Fiction. Performers: Ensemble Aventure (Freiburg, Germany). Elisabeth Stiftung Hall, Freiburg. http://www.ensemble-aventure.de/de/aventure/konzerte/veranstaltung/konzertvon-wolken-und-branenwelten14 INTERNATIONAL SYMPOSIUM MUSICA NOVA (Federal University of Parana. Curitiba, Brazil) *09/15/2016: in leathers for flute (and bass flute). Interpreter: Mark Takeshi Mc. Gregor. http://www.nucleomusicanova.com/ *08/11/2016: Only piano , for piano. Interpreter: Aparicio Alfaro. Jorge Molina Auditorium, Higher Institute of Music of the Universidad Nacional del Litoral (Santa Fe, Argentina). Present Sound Days. *08/10/2016: plot for two flutists, Performers: Duo MEI (Juliana Moreno and Patricia García). Present Sound Days (Santa Fe) *07/26/2016: Blue cobra feathers for wind nonet. Southwark Ensemble (London). London Concert of Winds, St. Saviour's Hall, Herne Hill Roa, London *07/13/2016: plot for two flutists, Duo MEI. Music for flutes. Contemporary Music Cycle of the Cervantes Theater. Buenos Aires. *07/08/20016: (over)dimensions of the dialogue *06/12/2016: plot , for two flutists, by the Duo MEI. Condition Concert organized by UNTREF and CONDIT. Buenos Aires. *05/26/2016: (over)dimensions of the dialogue, for piccolo and violin. Trio Divka, Florencia Ciaffone (violin) and Samara Pierpaoli (piccolo). Presentation within the framework of the Contemporary Music Mixtures Cycle, Instituto Patagonian University of the Arts (IUPA), General Roca (Río Negro) *05/22/2016: (over)dimensions of the dialogue , for piccolo and violin. Performed by Elisabeth Hirtsch and Sabine Hahn, Deutschlandfunk Auditorium, Cologne (Germany) * 03/06/2016: (over)dimensions of the dialogue , for piccolo and violin. Trio Divka, Florencia Ciaffone (violin) and Samara Pierpaoli (flautin), in the framework of the "Music and Cinema" Cycle, held at the Condyt (Buenos Aires). *02/22/2016: Blue cobra feathers (2014), nonet of winds. Conducted by the “Southwark Ensemble”, London. Hornman Museum. 2015 * 11/05/2015: (over)dimensions of dialogue (2015), for piccolo and violin. Premiere by Trio Divka. Performers: Florencia Ciaffone and Samara Pierpaoli in Besares, Culture Club, Buenos Aires. *09/07/2015: plot for two flutists, Duo MEI. Music for flutes. Juliana Moreno and Patricia García), premiere in Montevideo, Solís Theater of Montevideo (Uruguay). *09/05/2015: limestones , for soprano voice, violin and flute, by Mariana Zamora, Emiliano Zamora and Ignacio Quiróz, Biblioteca Argentina, Rosario. *02/20/2015: raunächte , for soprano voice, flute (sopr. and bass), clarinet (bass cl.), violin, cello and piano, with electroacoustic sounds. Performers: Ensemble Reflexion K, in the framework of the Opening Concert of the 5th Internationales Festival für Neue Musik Provinzlärm (Eckernförde, Germany). Festiva (2019) for flute, cello, percussion. Oblique Company: Kirchner Cultural Center Concert. 05.26.2019 uncertain ground sky (2018) for orchestra. UNC Symphony Orchestra. Director: Daniel Massa. Microconferences on Contemporary Music. Directed by Pablo Araya and Ceferino García.

Agenda 2024-2025 CONCERTS AND PREMIERES 20/11/2025: Quema (2018), for oboe, clarinet in B and basoon. Commission from Festival Antiqua Nova for the Ensemble Aventure (Freiburg). Walter Ott (oboe), Andrea Nagy (Klarinette) and Wolfgang Rüdiger (fagott) 15/10/25: karg (2016), for Flute and Violoncello. Commissioned by Ensemble Reflexion K (Eckernförde). Landeshaus, Düsternbrooker Weg 70, Kiel. Beatrix Wagner (flutes) and Gerald Eckert (violoncello) 28 y 29/06/2025: Kinhin (2025), for Bassflute, Bassclarinet, Trumpet in B and Contrabass. Commissioned by Arthaus Centro de Creación contemporánea para el Ensamble Arthaus. Amalia Perez (Flute), Federico Landaburu (Bassclarinet), Dante Vargas (Trumpet in B), Julián Medina (Contrabass) 06/11/2024: Frágil (2022), for Ensemble with 7 Instruments. Commissioned work for the 33° Festival de Música Contemporánea. Sala Gabriela Mistral, Santiago de Chile. Ensamble Taller de Música Contemporánea. Direction: Pablo Aranda. Karina Fisher y Paola Muñoz (Flutes), Dante Burotto (clarinets), Gerardo Salazar (Percussion), Fernanda Ortega (piano), Miguel Angel Muñoz (violín), Celso López (Violoncello), 03/11/2024: Trizas (2024), for Bassflute, Flute Paeotzl Kontrabass, Saxophon Bar. and Sopr., Accordeon, E Guitare, Piano and Elektronic. Cmmissioned work for Dúo Movimiento Paralelo (Chile) and Ensamble Vertixe Sonora (Spain). Auditorio Martín Codax, Vigo, España. 26/10/2024: Incierto suelo cielo (2018), for Orchester, Premiered in Venezuela by the Orquesta Sinfónica Municipal de Caracas, Dir.: Régulo Stabilito, XXII° Festival Latinoamericano de Música, Caracas. Teatro Teresa Carreño, Sala José Felix Ribas. 15/06/2024: Caminos sin luna (2024), for Flute, clarinet in B, Violín, violoncello and piano. Commissioned by Teatro Nacional Cervantes, for the Ciclo de Música Contemporánea, Concierto II and the Ensamble Factoría, Dir.: Valeria Martinelli.

On this site I present my activity as a composer. My creative work encompasses the composition of chamber, symphonic, mixed and improvisational works. I studied composition in Argentina and Germany Currently I am especially interested in Latin American musical thought and creation, creative and learning processes in composition, the music-society-politics relationship. Some of my works have been edited by: ambitus/Deutschlandfunk (De), Rev. MusikTexte Köln (De), Instituto Iberoamericano de Berlin-Ed. Vervuert- (De/Es), National Endowment for the Arts (Arg), National Library (Arg.), Casa de las Américas (Cu), Editorial Gourmet Musical (Arg), Suono Mobile Editora (Arg), among others. REFERENCES By Thomas Beimel, in die Argentinian Komponistitn Natalia Solomonoff. Die Stille der abwesenden Vögel. "Wide flows the violent, muddy Paraná in front of Rosario, Natalia Solomonoff's hometown. Equally powerful and firm is her music, which has nothing to do with the description of an idyllic landscape (…). The Argentine composer born in 1968 She continues the impulse of the South American avant-garde in two different ways: her compositions are based on the one hand on the sensitive and direct construction of very refined sound combinations and on the other hand she understands her compositional work as a testimony of the time. " Monographic program broadcast by the radio station Deutschlandfunk on 4/16/2016 https://www.deutschlandfunk.de/die-argentinische-komponistin-natalia-solomonoff-die-stille.1990.de.html?dram:article_id=350715 By Graciela Paraskevaidis, in "Niemand. Nur Spuren. Die argentinische Komponistin Natalia Solomonoff", in MusikTexte no. 147, 2015, p.7 “(…) Solomonoff's motivations are multiple, but always concise. On the one hand it reflects the history of South America from the indigenous ritual to the tango, on the other, the sensitive German world from Schönberg to the “Raunächten”. His music is a music that, in the words of Nicolaus A. Huber, “informs something about music”. But the information in this music comes from a very specific historical and social context. Her explosive sound sculptures stand for another reality about which the composer communicates as an auditory witness. In doing so, it extends a wide arc from the aesthetic to the political, from the abstract to the sensitive, from the social to the personal. https://musiktexte.de/MusikTexte-147

Biography Natalia Solomonoff completed her musical training in Argentina and Germany. He began his composition studies in Rosario with Diana Rud and Jorge Horst. He obtained his initial degree at the National Institute of Music Teachers of Rosario and at the Higher Institute of Music of the Universidad Nacional del Litoral. He attended analysis and composition seminars given by Mariano Etkin. She participated in the annual Course on Contemporary Composition Techniques given by Gerardo Gandini, Francisco Kröpfl and Julio Viera (among other teachers) as a Fundación Antorchas fellow. He continued his training with Nicolaus A. Huber at the Folkwang-Hochschule Essen. She attended composition and analysis seminars with Mathias Spahlinger at the Institut für Neue Musik Freiburg, both times as a fellow of the Deutscher Akademischer Austauschdienst (DAAD). He considers Nicolaus A. Huber, Graciela Paraskevaídis, Coriún Aharonián and Cergio Prudencio as essential references in his training. His main focuses of interest focus on the relationship between music, society and politics, creative processes and learning in composition, thought and musical creation in Latin America. She has been invited as a composer, speaker and teacher at numerous festivals, meetings and international conferences on composition and contemporary music, such as: Festival Musik der Zeit (WDR Radio Colonia, DE, 2022), Jornadas de Música Contemporánea del Círculo Colombiano de Música Contemporánea ( COL, 2021), Colloquium Listening and Musical Creation in the 21st Century (UY, 2021), RESONAR Talk Series (AR, 2021), Argentinian Music Analysis Conference (AR, 2021), “Music of the Americas“- Americas Society/Council of the Americas (USA, 2020), First National Composition Meeting- IUPA (Patagonic University Institute of the Arts, Gral. Roca, 2019), III Distat Terra International Festival/ AntiquaNova Foundation (Ar, 2018), Micro-jornadas de Contemporary Music and Composition (Universidad de Córdoba, 2018), UNESCO -Weaving Music for Radio by Latin American Composers- (BR, 2017), Forum neuer Musik-Deutschlandfunk Köln (DE), Forum Wallis (SW), Festival Tres Cantos Madrid ( EN), Internal Festival für Neue Musik Provinzlärm (DE), Micro-Conferences on Composition and Contemporary Music (AR), Weaving Music for Radio by Latin American Composers- A Commission project sponsored by UNESCO/MUSICAOS Radio Program and IFPC (BR), XXI Festival of Contemporary Music of the Teatro General San Martín (AR), Cycle of Monographic Concerts Contemporary Library (AR), Internationales Festival Musik-Diktatur Heidelberg (DE), IIIº Internacional Symposium Música Nova- Universidade Stadual do Paraná (BR), International Meeting of Composers ( CH), Chiffren: Kieler Tage für neue Musik (DE), among others. His work has received numerous awards, among which: Municipal Composition Award of the City of Buenos Aires, in the Symphonic Music category, Biennium 2018/2019, for the work “uncertain soil sky” (2018); 2nd Composition Prize “Sadaic 70th Anniversary Prize-Latin American Symphonic Works Composition Competition “Guillermo Graetzer” 1936 – 2006.” for the work “Nah-Weit” (2006); “Juan Carlos Paz Prize” for composition in the “Chamber Music” category, awarded by the National Endowment for the Arts for the work “The last flower of the cherry tree” (2004), for twelve instruments; National Composition Contest for Chamber Works of the Editing Association, for the work “El yawn de Thyke” (1994), National Contest for Composers, sponsored by the Omega Foundation, for the work “107” (1993), “Subsidio a the Artistic Creation” of the Fundación Antorchas (2004), Subsidy from the Universidad Nacional del Litoral for artistic creation (2006), Subsidy from the State of Schleswig-Holstein (Germany) for a three-month artistic residency at the Schleswig-Holsteinisches Künstlerhaus (2011), among others. She has been a composer in residence invited by the Experimental Orchestra of Native Instruments (La Paz, 2016) and by the Holsteinisches Künstlerhaus (Eckernförde, 2011), among others. His music has been performed by the WDR Symphonieorchester (Symphony Orchestra of the Radio of Cologne, Germany), the Provincial Symphony Orchestra of Santa Fe (Argentina), the Symphony Orchestra of the National University of Córdoba (Argentina), ensembles and soloists from American and European countries. He has received commissions from: Partita Radicale (DE, 2020), Ensemble Aventure (DE 2009, 2010, 2015, 2017), Ensemble Reflexion K (DE 2009, 2011, 2015 and 2019), Experimental Orchestra of Native Instruments of La Paz (Bolivia , 2016), Duo MEI, music for flutes (AR, 2015), Ensemble La Machine (Montreal, 2012), Provincial Symphony Orchestra of Santa Fe (2001), Composition Microdays and Symphony Orchestra of the National University of Córdoba (2018) , Contemporary Music Festival of the General San Martín Theater (Bs.As, 2017), Compañía Oblicua (Bs.As., 2019), National Radio/ Let's Get to Work- Haydée Schvartz and Elías Gurevich- (Bs.As., 2018 ), Daniel Añez (Montreal, 2012), Beatrix Wagner (DE, 2010), Tropi Ensemble (Buenos Aires, 2019), Vocal Ensemble of Nonsense Soloists (Buenos Aires, 2017), Marc Takeshi Mc. Gregor (Canada, 2016), Griselda Gianinni (AR, 2020). Other premieres in collaborative work with: Ensemble HandWerk (Germany, 2021), Ensemble Vertixe Sonora (Spain, 2022), Ensemble New Babylon (Germany, Arg. and Chile 2017), Ensemble Aisthesis (Heidelberg, 2017), Ensemble Garage (Köln, 2015), the CG Ensemble (Colombia, 2018), the Ausum Ensemble (2006), etc. She has been summoned as a member of the composition jury for the Juan Carlos Paz Composition Prize of the National Fund for the Arts (2019), the Composition Microjornadas (2016 and 2020), the First Composition Festival for Latin American female choirs (2019), Composition Competition for two pianos-ISM. National University of the Coast (2016), among others. Photo: Fabiana Sylvester. 2021 In 2021 the Ensemble Reflexion K (DE) releases its first monographic CD TARJO, with works composed between 2009 and 2016 in co-production of the Deutschlandfunk radio station and the ambitus record label. Sheet music: Babelscores. References in dictionaries and articles: Komponisten der Gegenwart and MusikTexte Nº147 (by G. Paraskevaídis), MusikTexte Nº168 (by Wolfgang Rüdiger), Proceedings of the XVII Congress of Musicology (by Miguel Angel Baquedano), Lexikon Neue Musik (by Graciela Paraskevaídis), Musiktexte No.111 (by Thomas Beimel). Since 2019 he has participated in the CAI-D 2020 Research project: Listening and phonography: ecological, technological and artistic approaches. National University of the Coast. Director: Dr. Alejandro Reyna. Teaching: Between 2005 and 2014 she was Professor of Instrumentation and Orchestration at the Higher Institute of Music of the Universidad Nacional del Litoral in the city of Santa Fe, where in 2014 she was appointed by ordinary competition to the position of Full Professor, semi-exclusive dedication with functions in the chair of Composition I, II, III, IV and V and Seminar and practice of Orientation. Since 2001 he has been a teacher at the Higher Institute of Music Teachers in Rosario in musical analysis subjects (20th and 21st centuries), musical experimentation and social history of music. Natalia Solomonoff lives in Rosario, where she carries out artistic, teaching, dissemination and research activities. Sites: https://www.natalia-solomonoff.com Experimental Motionless Traveler/Natalia Solomonoff. Compositions 2005-2019 (selection) https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composicions-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composicions-2005-2015-vol-2 https://soundcloud.com/natalia-solomonoff https://www.babelscores.com youtube: Natalia Solomonoff Eymann (music, interviews) https://youtu.be/Wy9LyujIxPE Photo: Adrian Bosch. 2015 Publications in: MusikTexte (DE), Pilacremus (UNAM, Mx), Iberoamerican Institute of Berlin- Ed. Vervuert- (DE-ES), Casa de las Américas de La Habana (Cuba), the National Endowment for the Arts (AR), the National Library (AR), Ediciones UNL- Universidad Nacional del Litoral (AR), Gourmet Musical (AR), etc. She is the compiler of the book Peripheral Readings/Listening (AR, Suono Mobile Editora, 2018). Photo: Adrian Bosch. 2017

imágenes Natalia Solomonoff, fotos Natalia Solomonoff Photos Monographic Final Contemporary Library 02.09.2017 Presentation Book Studies on the music of Graciela Paraskevaídis, 08/2014, UNL International meeting of composers Santiago de Chile, 2014 With Beatrix Wagner and Gerald Eckert, 09/ 2017 Peripheral Readings / Listening, Suono Mobile Editora- Comp. Natalie Solomonoff. Texts by O. Budón, C. Mastropietro, C.Mello, T. Beimel, C. Morales Ossio, M. Franciosi, W. Rüdiger, G. Eckert, N. Solomonoff. Natalie Solomonoff. 2015 Photo: Adrian H. Bosch With Thomas Beimel, Wuppertal, 01/2015 International Meeting of Composers, Sgo de Chile, 2014 Natalie Solomonoff. 2011 Photo: Adrian H. Bosch