Search results

Grabaciones Natalia Solomonoff, Cds. Natalia Solomonoff, Música de Natalia Solomonoff, Audios Natalia Solomonoff RECORDINGS TARJO (2021) NATALIA SOLOMONOFF Ensemble Reflexion K, Director: Gerald Eckert Beatrix Wagner (Flutes), Anja Schmiel (Oboe), Joachim Striep (Clarinets), Jakob Meyers (Bassoon), Eva Zöllner (Accordion), Eva Curth (Harp), Martin von der Heydt (Piano), Vera Schmidt (Violin), Lenka Zupkova (Violin), Christiane Veltman (Viola), Burkart Zeller (Cello), Gerald Eckert (Violoncello). Guests: Maria Bulgakova (Sopran), Natalia Solomonoff (Composition and Electronics) Natalia Solomonoff: Compositions 2009-2019 Viajero inmóvil experimental https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2005-2015-vol-2 Ignición (2020), for Saxophone Quartett . Cuarteto de saxofones Tsunami (Buenos Aires) CD Luz mala https://open.spotify.com/intl-es/track/3ftXkZVgNYoisqbxHwsXNS?si=1ffcaf838eb8471acc HSxCDxEG (2018), for Violin and Piano CD Manos a las obras Elías Gurevich (Violine) and Haydée Schvartz (Piano) https://open.spotify.com/intl-es/track/7o7CN7FN1tv4D43Vb11YJM?si=2bc21baef51547ca https://youtu.be/hiyQpT4xzMs?si=FswsNtKh6wrirJOK Raunächte (2013), for Sopran, Flute, Clarinet, Violin, Violoncello, Piano and Electronics. Direction: Aparicio Alfaro. Instituto Superior de Música - Universidad Nacional del Litoral Calizas (1991) , for soprano voice, flute and violin. Edition of the Fondo Nacional de las artes (1999) CD nº 21 of the serie Panorama de la música argentina https://youtu.be/fkwBQgHNI0M?si=WlBWRsgI5qOhek9T https://open.spotify.com/intl-es/track/4A80DD4AKqACQiCCYmWt7f?si=05987547fd36450b Trama (2015) , for two flautists. MEI Duo - Music for Flutes. Juliana Moreno and Patricia García. https://open.spotify.com/intl-es/track/5ZQQ02rPy7doUnEf3bdmuO?si=e6e6d4a89d9e4d17 https://youtu.be/BwPVFmaz1DQ?si=7kgSFt8UlbUe1Zz3 Pájaros arcanos (2005) Sextet Commissioned by the Ausum Ensemble. Direction: Federico Gariglio https://youtu.be/ScmPMYdivJA?si=BRrDLUXK4nX0JkKn Del bostezo de Thyke (1995) , for flute, tenor trombone, violin and double bass (1995). Concurso Nacional de Composición Editar- National Composition Award- EDITAR Contest. Home / Bio / Works / Discography/ Publications/ References Agenda / Agenda 2018-2020 Music/Videos Concerts / Performances Presentations/2015-2018 Contact / Photos Search results

Bio Natalia Solomonoff / Vitae Natalia Solomonoff BIO BIO BREVE SOLOMONOFF Natalia Solomonoff is a composer born in Rosario, Argentina. She studied Composition in Argentina and Germany (Universidad Nacional del Litoral and Folkwang Hochschule Essen). Her creative work encompasses chamber, symphonic, electroacoustic, and mixed music compositions, as well as works for improvisation groups. Her research interests focus on the relationship between music and politics, creative and learning processes in composition, and musical thought and creation in Latin America. She received scholarships, grants, and composition awards from national and international institutions. She has been invited to numerous international festivals and has served as a jury member for teaching and composition competitions. Since 2001 she is teaching at the Instituto Superior Provincial del Profesorado de Música de Rosario. In 2014, she was appointed through a competitive process as Professor of Composition at Instituto Superior de Música de la Universidad Nacional del Litoral (Santa Fe, Argentina). In 2021, Ensemble Reflexion K (Germany) and the radio station Deutschlandfunk co-produced the monographic CD TARJO- Natalia Solomonoff by the record label AMBITUS. Natalia Solomonoff is the compyler of the book Lecturas/Escuchas periféricas by Suono Mobile Editora, 2018. Her texts have also been published by MusikTexte, the Iberoamericanisches Institut Berlin, Casa de las Américas, Biblioteca Nacional (Argentina), Ed. Gourmet Musical, Revista del Instituto Superior de Música de la Universidad Nacional del Litoral, Dobra Robota, among others. Her music has been performed in Germany, Switzerland, England, Spain, Canada, Mexico, the USA, Colombia, Bolivia, Uruguay, Chile, Brazil, Peru, and Argentina. References in Komponisten der Gegenwart , Lexikon Neue Musik , MusikTexte Nº147 (by Graciela Paraskevaídis), MusikTexte Nº169 (by Wolfgang Rüdiger), Actas del XVII Congreso de Musicología de la A.A.M. (by Miguel Angel Baquedano), Musiktexte Nº111 (by Thomas Beimel). web sites Viajero inmóvil experimental/Natalia Solomonoff. Composiciones 2005-2019 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2005-2015-vol-2 soundcloud https://soundcloud.com/natalia-solomonoff Scores https://www.babelscores.com Youtube Natalia Solomonoff Eymann (música, entrevistas) https://youtu.be/Wy9LyujIxPE © 2018. Natalia Solomonoff Home / Bio / Works / Discography/ Publications/ References Agenda / Agenda 2018-2020 Music/Videos Concerts / Performances Presentations/2015-2018 Contact / Photos Search results

Natalia Solomonoff/works, Natalia Solomonoff catalog, Natalia Solomonoff compositions 02.OBRAS SOLOMONOFF Works/ Compositions Two Instruments HS xCDx (2018), for violin and piano. Commissioned by Haydée Schvartz EG and Elías Gurevich for the Concert Hommage to Claude Debussy. Premiere: 17/11/2018. Auditorio Radio Nacional (Buenos Aires). https://youtu.be/Wy9LyujIxPE https://youtu.be/oz4ePoHfBII AVTIO (2017), for trombone and piano. Commissioned by Teatro Cervantes, Ciclo de Música contemporánea Relaciones Materiales and Dúo Alfaro-Bosch. Premiered: 20/09/2017. https://www.cultura.gob.ar/concierto-ii-del-ciclo-de-musica-contemporanea-relaciones-materiales_4727/ ADIÓS for fagot and piano (2017). Commissioned by Ensemble Aventure (Freiburg), for the Concert "Für Graciela". (Graciela Paraskevaídis). https://www.deutschlandfunk.de/ensemble-aventure-in-memoriam-graciela-paraskevaidis.1987.de.html?dram:article_id=393035 ARIONES (2001) for two trombones. Commissioned by the Orquesta Sinfónica de Santa Fe for the IIº Encuentro Hispanoamericano de compositores (Santa Fe, Argentina). Premiere: Teatro "El círculo" de Rosario, 28/09/2001 BAJO FONDO (2003) for a soprano voice and piano. EN SIGILO (2004), for violoncello and accordeon. Commissioned by Internationales Festival für Neue Musik Bergfest-Dillsberg (Alemania) Premiere: 04/10/2004. KARG (2016) for Flute/Bass.Fl and Cello. Commissioned by the Ensemble Reflexion K (Eckernförde). INternationales Festival für Neue Musik Eckernförde, 02/2017. TRAMA (2015) for two flutists. Commissioned by the Dúo MEI- Música para Flautas (Juliana Moreno y Patricia García, Buenos Aires). Teatro Solís de Montevideo: 16/09/2015 https://youtu.be/73hOszukoao https://youtu.be/BwPVFmaz1DQ (SOBRE)DIMENSIONES DEL DIÁLOGO (2015), for píccolo and violin. Commissioned by the Trío DIVKA (Buenos Aires). 20/7/2017: http://www.telam.com.ar/notas/201707/195850-el-trio-divka-de-flauta-violin-y-piano-ofrecera-un-concierto-en-la-legislatura.html Trios FESTIVA (2019) for Flute/bass Fl., violoncello and percussion. Commissioned by the Ensemble Compañía Oblicua. Director: Marcelo Delgado. 23/05/2019 en La Cúpula, Centro Cultural Kirchner. Ciclo "Postales Sonoras de hoy". https://youtu.be/Mwsnmiijbfo https://www.agendaclasica.com.ar/Evento/609/compaa-oblicua-postales-son QUEMA (2018), for oboe, clarinet and Fagot. Comissioned by the IIIº Festival Distat Terra 2018-Choele Choel/ Fundación AntiquaNova for the Ensemble Aventure (Freiburg). Musicians: Alexander Ott (oboe), Walter Ifrin (Clar.) y Wolfgang Rüdiger (Fg.). 15/12/2018. https://youtu.be/AVIh1I8gMMY https://soundcloud.com/natalia-solomonoff/quemasolomonoff CALIZAS (1991), for sopran voice, flute and violín. Encuentro latinoamericano de compositores e intérpretes. Rosario, 1991. https://youtu.be/fkwBQgHNI0M https://itunes.apple.com/mx/album/panorama-la-m%C3%BAsica-argentina-compositores-nacidos-entre/907810324 EPITAFIOS RASGADOS for three gitars. 1993 Chamber music- more than 3 instruments DEL BOSTEZO DE THYKE (1995), for clarinet, trombone, violin, contrabass. Composition price: Premio Concurso Nacional de Composición "Editar", CD. Grabación de la obra LA ÚLTIMA FLOR DEL CEREZO (2004) for soprano voice and therteen instruments. Composition price: Premio de Composición Juan Carlos Paz 2005 ENTRE CONJUROS Y ENSUEÑOS (2005) for bandoneón, percussion, piano, violín, viola, violoncello and contrabass. 2005. Composed and premiered thanks to a Subsidio a la creación otorgado por la Fundación Antorchas. PÁJAROS ARCANOS (2005) for Flute, 2 clarinets, fagot (and contrafagot), trumpet, violin and piano. 2005. Commissioned by Ensamble Ausum (Santa Fe). Premiered: Festival Internacional de Música Contemporánea de Santiago de Chile, 01/2006. Grabación en Cd. (Ver Discografía) Audio disponible en: https://youtu.be/ScmPMYdivJA https://www.reverbnation.com/federicogariglio/song/1924907-natalia-solomonoff-pjaros-arcanos DEL EXILIO EN LA PIEL (2005), for 12 Instruments and soprano voice. ABRAZO BLANCO (2006), for Flute, oboe/ english horn, clarinet, Horn and trombone. Premiered: Ciclo Músicas Contemporáneas del mundo, Centro Cultural del Parque España, Rosario. 2006. https://youtu.be/fQRYb7xEjjA NADIE. SÓLO HUELLAS (2007), for flute, oboe, clarinet, fagot, horn, trumpet, trombone and Contrabass. Commissioned by Ensemble Aventure , Freiburg. Premiered on the Concert OCTANDRE in Lateinamerika . WIESBADEN THEATER, 08/03/2008. https://youtu.be/cTjxnUW7-6E https://soundcloud.com/natalia-solomonoff/nadie-solo-huellas HUMUS (2009), for flute, arp, accordeon and violoncello. Commissioned by Ensemble Reflexion K (Eckernförde). Premiered: Provinzlärm Festival für Neue Musik, Eckernförde, 2009. Grabación: https://soundcloud.com/natalia-solomonoff/humus-2009 TARJO (2011) for flute (sop., píccolo y contralto), oboe, clarinet, fagot, piano, violin, viola and violoncello. Commissioned by Ensemble Aventure (Freiburg). Estreno: Sala Zitarroza, Montevideo: 09/09/2011 TARJO II (2012), for Flute (also picc. and alto), clarinet (also Bass clarinete bajo), fagot, piano, violin, viola and violoncello. Commissioned by Ensemble Aventure , Freiburg for the Chiffren Festival für Neue Musik Kiel, 12/02/2012 LAS REGLAS DEL JUEGO (2013), for ensamble with two saxophones, Eguitar, piano, strings, percussion. Commissioned by Ensemble La Machine, Montreal . Premiered in the Conservatoire de Musique de Montreal, Sale Multimedia, 13/12/2013. https://youtu.be/5XuFJqP9Rds https://soundcloud.com/natalia-solomonoff/las-reglas-del-juego-2013 hlvssi! (2016) for flute (also alto flute), trombone, violín, cello, Commissioned by Ensemble Río Eléctrico, Rosario. IUSIÓN X FICCIÓN (2017) for flute (also Bass fl.), oboe, clarinet (also Bass clarinet), fagot and piano. Commissioned by Ensemble Aventure (Freiburg). Premiered 14/11/2016 Elisabeth Schneider Stiffung, Freiburg. PIEDRA VIVA (2017), Commissioned work by Ensemble de cámara de la Orquesta Experimental de Instrumentos Nativos de Bolivia. Estreno:02/10/2019. Sala Patiño, La Paz, Bolivia. https://youtu.be/WTmBT2kSiSI FICCIONAL (2017) for flute, oboe, cello, percussion and piano. Commissioned by Ensemble NEW BABYLON (Leipzig). Premiered on the Schwankhalle Dresden, 17/09/2017. https://schwankhalle.de/spielplan/huellas-enb-385.html IGNICION (2019) for Saxophone quartet. Commissioned by Cuarteto de Saxofones Tsunami. Premiered: 01.25.2020 Vº Concierto del Festival Internacional de Música del Teatro Gral San Martín (Buenos Aires) https://youtu.be/owLKL1iSU-U ARBOL DE LA DICHA (TREE OF SAID) (2019-2020) for quintet. Commissioned by Ensemble Partita Radicale (Wuppertal, Germany) CANCELED because covid 19 Soloists ARBOLES, ROCAS Y DRAGONES (2005) for tenor-bass trombone solo. EN CUEROS / ENTRAMADOS (2016) for flute (and bass flute). Premiere: Marc Takeshi Mc. Gregor. III Contemporary Music Symposium. Nova music. Curitiba. Brazil. https://youtu.be/b-Rmy4OX8DM https://soundcloud.com/super-newt/natalia-solomonoff-en-cueros SOLOS ( 2012, rev. 2013) for piano. Commissioned by pianist Daniel Añez, Colombia-Canada. Premiere: Sala Gabriela Mistral, III International Composers Meeting, Santiago de Chile, 08/2014. https://soundcloud.com/danielanezpiano/solos-2011-2012by-natalia-solomonoff-1968-performed-by-daniel-anez https://youtu.be/Yd5Mp4nj8No SOLO PIANO , for piano, 2012- rev. 2013. Premiere: 03/14/2014. Music for Memory. Buenos Aires . https://www.youtube.com/watch?v=Q1KAvQ1NPpU Mixed DROSTES (2019), for flute, Bb clarinet, cello, piano, two percussionists and prerecorded electronics. Commissioned by Ensemble Reflexion K. Premiere: Galilei Museum, Madrid, on 09/24/2019 and Nikolaikirche, Eckernförde, on 09/27/2019. Performers: Ensemble Reflexion K and Duo Neospercusión (Germany-Spain Project) https://soundcloud.com/natalia-solomonoff/04-solomonoff-drostes EN VIVO (LIVE) (2017), for the voice of Soprano or Mezzo, flute, clarinet, violin, cello and percussion, with electro-acoustic sounds. With the intervention of the poet Mercedes Gómez de la Cruz reading "La revolución no va a estar en ningún soporte", a poem by her. Cover of "The revolution will be not televised", by Gill-Scott Heron and "La revolución no será por internet", by Ezequiel Zaidenwerg. Work commissioned by UNESCO for the Festival Weaving music for radio of Latin-American women composers- Curitiba, Brazil. Premiere: 02/23/2018 RAUNÄCHTE (2010- rev. 2014) 12 pieces for singer with soprano, flute (and bass flute), clarinet (and bass clarinet), violin, cello and piano, with electro-acoustic sounds. 2008/10, rev. 2011 and 2015. Work composed thanks to the Creation Subsidy "Proyectos Crear", awarded by Universidad Nacional del LItoral, Santa Fe. Partial premiere: Sonido Presente 2010, Instituto Superior de Música, Universidad Nacional del Litoral, Full premiere: Ensemble Reflexion K, Provinzlärm Festival Eckernförde, Germany (2015). Vocal works ERA UN BELLO PAÍS (2017) for vocal ensemble with eight soloists, Commission of the Festival de Música Contemporánea del Teatro Gral San Martín. Buenos Aires, 2017. Premiere Nonsense Solo vocal ensemble (Buenos Aires). Inspired by the poem "La poesía era un bello pa ís", by Jorge Aulicino. SOBRE LA COMPOSICIÓN (ABOUT THE COMPOSITION ) , (2017) for vocal ensemble with eight soloists, Commission of the Festival de Música Contemporánea del Teatreo Gral San Martín (Contemporary Music Festival of the Gral. San Martín Theater). Buenos Aires, 2017. Premiere Nonsense Solo vocal ensemble (Buenos Aires). On the homonymous poem by Marina Serrano. Commission of the Contemporary Music Festival of the Gral. San Martín Theater. Buenos Aires, 2017. Orchestra INCIERTO SUELO CIELO (2018). Premiere: 11/08/2018. Pabellón Argentina - III Microjornadas de Música Contemporánea. Córdoba. Commissioned by the Orquesta Sinfónica de la Universidad Nacional de Córdoba and the III Microjornadas de Composición 2018 (Universidad Nacional de Córdoba). Director of the UNC Orchestra: Mtro. Daniel Mazza. https://youtu.be/WaYaIAl3Zng https://clasicacordoba.com.ar/el-sonido-contemporaneo/ MACIZOS FLUETNES (2001) for orchestra. Commissioned by the Santa Fe Symphony Orchestra for the II Encuentro Hispanoamericano de Compositores (Santa Fe, Argentina). September 2001. Premiere: Teatro Municipal 1º de Mayo, Santa Fe NAH-WEIT (2006) for orchestra. 2nd Prize for the composition of the Sadaic 70th Anniversary Prize contest. Latin American Composition Contest for Symphonic Works “Guillermo Graetzer” 1936 - 2006. Home / Bio / Works / Discography/ Publications/ References Agenda / Agenda 2018-2020 Music/Videos Concerts / Performances Presentations/2015-2018 Contact / Photos Search results

Natalia Solomonoff | Composer | new music from Argentina / latinamerican new music / women composer from latin America “(…) Solomonoff’s motivations are diverse, but always significant. On the one hand, she reflects the history of South America, from indigenous rituals to tango; on the other, the German—and sensible—world, from Schoenberg to the Raunächten. Her music, in the words of Nicolaus A. Huber, “provides information about music.” But the reference to this music stems from a very specific historical and social context. Her explosive sound sculptures stand in relation to another reality, about which the composer reports as an auditory witness. In doing so, she extends a broad arc from the aesthetic to the political, from the abstract to the sensual, from the social to the personal.” Graciela Paraskeváidis: "Niemand. Nur Spuren. Die argentinische Komponistin Natalia Solomonoff" , en MusikTexte nº 147, 2015, p.7 https://musiktexte.de/MusikTexte-147 “The mighty, mud-colored Paraná River flows broadly past Natalia Solomonoff's hometown of Rosario. And her music is similarly powerful and persistent; however, it has nothing to do with depicting a natural idyll. (…) The Argentinian composer, born in 1968, continues the impulses of the South American avant-garde in two respects: On the one hand, her compositions rely on the immediate sensual effect of sophisticated sound combinations, and on the other hand, she explicitly understands her compositional work as a witness to the times.” Thomas Beimel: Die argentinische Komponistin Natalia Solomonoff. Die Stille der abwesenden Vögel. Programa monográfico emitido por la Deutschlandfunk el 16/4/2016 Home / Bio / Works / Discography/ Publications/ References Agenda / Agenda 2018-2020 Music/Videos Concerts / Performances Presentations/2015-2018 Contact / Photos Search results

imágenes Natalia Solomonoff, fotos Natalia Solomonoff Photos Monographic Final Contemporary Library 02.09.2017 Presentation Book Studies on the music of Graciela Paraskevaídis, 08/2014, UNL International meeting of composers Santiago de Chile, 2014 With Beatrix Wagner and Gerald Eckert, 09/ 2017 Peripheral Readings / Listening, Suono Mobile Editora- Comp. Natalie Solomonoff. Texts by O. Budón, C. Mastropietro, C.Mello, T. Beimel, C. Morales Ossio, M. Franciosi, W. Rüdiger, G. Eckert, N. Solomonoff. Natalie Solomonoff. 2015 Photo: Adrian H. Bosch With Thomas Beimel, Wuppertal, 01/2015 International Meeting of Composers, Sgo de Chile, 2014 Natalie Solomonoff. 2011 Photo: Adrian H. Bosch Home / Bio / Works / Discography/ Publications/ References Agenda / Music/Videos Concerts / Performances Contact / Photos Search results Otros

Biography Natalia Solomonoff completed her musical training in Argentina and Germany. He began his composition studies in Rosario with Diana Rud and Jorge Horst. He obtained his initial degree at the National Institute of Music Teachers of Rosario and at the Higher Institute of Music of the Universidad Nacional del Litoral. He attended analysis and composition seminars given by Mariano Etkin. She participated in the annual Course on Contemporary Composition Techniques given by Gerardo Gandini, Francisco Kröpfl and Julio Viera (among other teachers) as a Fundación Antorchas fellow. He continued his training with Nicolaus A. Huber at the Folkwang-Hochschule Essen. She attended composition and analysis seminars with Mathias Spahlinger at the Institut für Neue Musik Freiburg, both times as a fellow of the Deutscher Akademischer Austauschdienst (DAAD). He considers Nicolaus A. Huber, Graciela Paraskevaídis, Coriún Aharonián and Cergio Prudencio as essential references in his training. His main focuses of interest focus on the relationship between music, society and politics, creative processes and learning in composition, thought and musical creation in Latin America. She has been invited as a composer, speaker and teacher at numerous festivals, meetings and international conferences on composition and contemporary music, such as: Festival Musik der Zeit (WDR Radio Colonia, DE, 2022), Jornadas de Música Contemporánea del Círculo Colombiano de Música Contemporánea ( COL, 2021), Colloquium Listening and Musical Creation in the 21st Century (UY, 2021), RESONAR Talk Series (AR, 2021), Argentinian Music Analysis Conference (AR, 2021), “Music of the Americas“- Americas Society/Council of the Americas (USA, 2020), First National Composition Meeting- IUPA (Patagonic University Institute of the Arts, Gral. Roca, 2019), III Distat Terra International Festival/ AntiquaNova Foundation (Ar, 2018), Micro-jornadas de Contemporary Music and Composition (Universidad de Córdoba, 2018), UNESCO -Weaving Music for Radio by Latin American Composers- (BR, 2017), Forum neuer Musik-Deutschlandfunk Köln (DE), Forum Wallis (SW), Festival Tres Cantos Madrid ( EN), Internal Festival für Neue Musik Provinzlärm (DE), Micro-Conferences on Composition and Contemporary Music (AR), Weaving Music for Radio by Latin American Composers- A Commission project sponsored by UNESCO/MUSICAOS Radio Program and IFPC (BR), XXI Festival of Contemporary Music of the Teatro General San Martín (AR), Cycle of Monographic Concerts Contemporary Library (AR), Internationales Festival Musik-Diktatur Heidelberg (DE), IIIº Internacional Symposium Música Nova- Universidade Stadual do Paraná (BR), International Meeting of Composers ( CH), Chiffren: Kieler Tage für neue Musik (DE), among others. His work has received numerous awards, among which: Municipal Composition Award of the City of Buenos Aires, in the Symphonic Music category, Biennium 2018/2019, for the work “uncertain soil sky” (2018); 2nd Composition Prize “Sadaic 70th Anniversary Prize-Latin American Symphonic Works Composition Competition “Guillermo Graetzer” 1936 – 2006.” for the work “Nah-Weit” (2006); “Juan Carlos Paz Prize” for composition in the “Chamber Music” category, awarded by the National Endowment for the Arts for the work “The last flower of the cherry tree” (2004), for twelve instruments; National Composition Contest for Chamber Works of the Editing Association, for the work “El yawn de Thyke” (1994), National Contest for Composers, sponsored by the Omega Foundation, for the work “107” (1993), “Subsidio a the Artistic Creation” of the Fundación Antorchas (2004), Subsidy from the Universidad Nacional del Litoral for artistic creation (2006), Subsidy from the State of Schleswig-Holstein (Germany) for a three-month artistic residency at the Schleswig-Holsteinisches Künstlerhaus (2011), among others. She has been a composer in residence invited by the Experimental Orchestra of Native Instruments (La Paz, 2016) and by the Holsteinisches Künstlerhaus (Eckernförde, 2011), among others. His music has been performed by the WDR Symphonieorchester (Symphony Orchestra of the Radio of Cologne, Germany), the Provincial Symphony Orchestra of Santa Fe (Argentina), the Symphony Orchestra of the National University of Córdoba (Argentina), ensembles and soloists from American and European countries. He has received commissions from: Partita Radicale (DE, 2020), Ensemble Aventure (DE 2009, 2010, 2015, 2017), Ensemble Reflexion K (DE 2009, 2011, 2015 and 2019), Experimental Orchestra of Native Instruments of La Paz (Bolivia , 2016), Duo MEI, music for flutes (AR, 2015), Ensemble La Machine (Montreal, 2012), Provincial Symphony Orchestra of Santa Fe (2001), Composition Microdays and Symphony Orchestra of the National University of Córdoba (2018) , Contemporary Music Festival of the General San Martín Theater (Bs.As, 2017), Compañía Oblicua (Bs.As., 2019), National Radio/ Let's Get to Work- Haydée Schvartz and Elías Gurevich- (Bs.As., 2018 ), Daniel Añez (Montreal, 2012), Beatrix Wagner (DE, 2010), Tropi Ensemble (Buenos Aires, 2019), Vocal Ensemble of Nonsense Soloists (Buenos Aires, 2017), Marc Takeshi Mc. Gregor (Canada, 2016), Griselda Gianinni (AR, 2020). Other premieres in collaborative work with: Ensemble HandWerk (Germany, 2021), Ensemble Vertixe Sonora (Spain, 2022), Ensemble New Babylon (Germany, Arg. and Chile 2017), Ensemble Aisthesis (Heidelberg, 2017), Ensemble Garage (Köln, 2015), the CG Ensemble (Colombia, 2018), the Ausum Ensemble (2006), etc. She has been summoned as a member of the composition jury for the Juan Carlos Paz Composition Prize of the National Fund for the Arts (2019), the Composition Microjornadas (2016 and 2020), the First Composition Festival for Latin American female choirs (2019), Composition Competition for two pianos-ISM. National University of the Coast (2016), among others. Photo: Fabiana Sylvester. 2021 In 2021 the Ensemble Reflexion K (DE) releases its first monographic CD TARJO, with works composed between 2009 and 2016 in co-production of the Deutschlandfunk radio station and the ambitus record label. Sheet music: Babelscores. References in dictionaries and articles: Komponisten der Gegenwart and MusikTexte Nº147 (by G. Paraskevaídis), MusikTexte Nº168 (by Wolfgang Rüdiger), Proceedings of the XVII Congress of Musicology (by Miguel Angel Baquedano), Lexikon Neue Musik (by Graciela Paraskevaídis), Musiktexte No.111 (by Thomas Beimel). Since 2019 he has participated in the CAI-D 2020 Research project: Listening and phonography: ecological, technological and artistic approaches. National University of the Coast. Director: Dr. Alejandro Reyna. Teaching: Between 2005 and 2014 she was Professor of Instrumentation and Orchestration at the Higher Institute of Music of the Universidad Nacional del Litoral in the city of Santa Fe, where in 2014 she was appointed by ordinary competition to the position of Full Professor, semi-exclusive dedication with functions in the chair of Composition I, II, III, IV and V and Seminar and practice of Orientation. Since 2001 he has been a teacher at the Higher Institute of Music Teachers in Rosario in musical analysis subjects (20th and 21st centuries), musical experimentation and social history of music. Natalia Solomonoff lives in Rosario, where she carries out artistic, teaching, dissemination and research activities. Sites: https://www.natalia-solomonoff.com Experimental Motionless Traveler/Natalia Solomonoff. Compositions 2005-2019 (selection) https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composicions-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composicions-2005-2015-vol-2 https://soundcloud.com/natalia-solomonoff https://www.babelscores.com youtube: Natalia Solomonoff Eymann (music, interviews) https://youtu.be/Wy9LyujIxPE Photo: Adrian Bosch. 2015 Publications in: MusikTexte (DE), Pilacremus (UNAM, Mx), Iberoamerican Institute of Berlin- Ed. Vervuert- (DE-ES), Casa de las Américas de La Habana (Cuba), the National Endowment for the Arts (AR), the National Library (AR), Ediciones UNL- Universidad Nacional del Litoral (AR), Gourmet Musical (AR), etc. She is the compiler of the book Peripheral Readings/Listening (AR, Suono Mobile Editora, 2018). Photo: Adrian Bosch. 2017

Natalia Solomonoff Performances 2018-2019, Natalia Solomonoff performances, Natalia Solomonoff agenda 2018-19, Natalia Solomonoff concerts 2018-2019 News/ Performances 2019 mai festiva (2019)*premiere!, para flauta/flauta bajo, chelo y percusión. Encargo de la Compañía Oblicua para su 15º cumpleaños- Estreno 26/05/2019 Ciclo "Postales sonoras de hoy". La Cúpula, Centro Cultural Kirchner. junio: QUEMA (2018), trío para oboe, clarinete en Sib y fagot. Encargo del Festival Antiqua/Nova, Intépretes: Ensemble Aventure (Freiburg) Schloss Leuk, 07/06/2019, 20:00 hs. https://forumwallis.ch/programm-2019ensembleaventure.htm crítica del concierto: http://5against4.com/2019/06/20/forum-wallis-2019-part-2/ Agosto: * (sobre)dimensiones del diálogo (2016), para píccolo y violín, con video *entramados/en cueros (2016), para flauta solista. Intérpretes: Emiliano Zamora e Ignacio Quiroz Charla Conferencia y entrevista con miembros de Ensemble Kaparilo. Organización: Kaparilo. Rosario. Septiembre : *05/09/2019: Conferencia "Poética y proceso creativo en piedra viva y HSxCDxEG" , en el marco de las Primer Encuentro Nacional de Composición. Instituto Universitario Patagónico de las Artes. General Roca- *24/09/2019: drostes (2019) estreno!!! , para flauta/fl. bajo, cl. en Sib/cl. bajo, violoncello, piano, dos percusionistas y electrónica pregrabada. Encargo del Ensemble Reflexion K, Estreno: Museo Galilei, Madrid, 20:00 hs. INtérpretes: Reflexion K (Alemania)-Duo Neopercusion (Madrid) *27/09/2019: drostes (2019), en la iglesia NikolaiKirche, Eckernförde, Alemania. Intérpretes: Reflexion K-Neopercusion *30/09: entramados/en cueros . Intérprete: Paula Cesar. Primer SImposio de Flauta Contemporánea. Conservatorio Nacional Manuel de Falla, Buenos Aires. Organizadora: Patricia Da Dalt- Octubre: *02/10/2019: piedra viva (2017/19) estreno!!!, para ensamble de cámara con instrumentos andinos. Encargo de la Orquesta Experimental de Instrumentos Nativos de Bolivia. Sala Patiño. La Paz, Bolivia. *04/10/19: ( sobre)dimensiones del diálogo (2016), para flautín y violín con video. Intérpretes: Ignacio Quirós y Emiliano Zamora. Concierto del Ciclo Nuevas Partituras, Biblioteca Argentina, Rosario. *11/10/2019 :Karg (2019), para flauta/flauta bajo y violoncello, Intérpretes Dúo del Ensemble Reflexion K (ALemania): Beatrix Wagner y Gerald Eckert, en el marco de las IIIº Jornadas de Audio y Acústica de Salta. *15/10/2019: Ariones (2001), para dos trombones, en el marco del Concierto Compositoras, Aula Magna de la UNC, Córdoba. *15/10/2019: Karg (2019 ), para flauta/flauta bajo y violoncello, Beatrix Wagner y Gerald Eckert, Dúo Reflexion K- Aula Magna de la UNC, Córdoba, 20:00 hs. Concierto en el marco de las IXº Micro-Jornadas de Composición y Música Contemporánea *26/10/2019: piedra viva estreno en Cuzco!! , compuesta para el Ensemble de Cámara de la Orquesta Experimental de Instrumentos Nativos de Bolivia. noviembre *09/11/2019: Tarjo (2011) , para flauta, oboe, clarinete en Sib, fagot, violín, viola, violoncello y piano. Nikolaikirche, Eckernförde, Alemania. Intérpretes: Ensemble Reflexion K *23/11/2019: Compositora invitada. Charla Primer Festival Internacional de Coros Femeninos de Latinoamérica. Puerto Madrin, Argentina. Performances 2018 23 de febrero de 2018 Estreno! en vivo (2017), para voz de soprano, flauta, clarinete bajo, violín, cello, percusión y sonidos electroacústicos. Obra comisionada por la UNESCO para el Festival Weaving Music for Radio by latin american Women Composers. Concierto Final: Capella Santa María, Curitiba. 17 al 23 de Febrero Participación como compositora Invitada del Festival Weaving Music for Radio by latin american Composers . Proyecto subvencionado por la UNESCO. 17 de Febrero de 2018 Karg (2016), dúo para flauta bajo y violoncello. intérpretes: Beatrix Wagner y Gerald Eckert, Ensemble Reflexion K, Kulturzentrum Tolstefanz, Alemania. Jueves 23 de mayo de 2018 Calizas (1991), trío para voz de soprano, flauta (pícc.) y violín. Festival Mujeres en la Música Nueva, intérpretes: Ensemble CG; Bogotá. Jueves 08 de noviembre Estreno : suelo incierto cielo Encargo de la Orquesta Sinfónica de la Universidad Nacional de Córdoba y de las IIIº Micro-jornadas de Composición 2018 (Universidad Nacional de Córdoba). Director de la Orquesta de la UNC: Mtro. Daniel Mazza. https://clasicacordoba.com.ar/el-sonido-contemporaneo/ 05 - 08 Nov.: Workshops para compositores junto a Juliana Moreno y Patricia García - Dúo MEI. Música para flautas (Buenos Aires) - Workshops con Eduardo Spinelli - Clarinetes- (Córdoba). *Participación como compositora invitada de las IIIº Microjornadas de Composición *Miembro del Jurado del concurso de composición de obras para orquesta Microjornadas de Composición: https://www.unc.edu.ar/sites/default/files/Resultado%20de%20la%203era%20Convocatoria%20Nacional%202018 Sábado 17 de Noviembre 2018 Estreno! HSxCDxEG Para violín y piano. Grabación: https://soundcloud.com/natalia-solomonoff/cdxegxhs Dedicada a Haydée Schvartz (Kl.) y Elías Gurevich (Vn.), Encargo de Radio Nacional Clásica y del Programa "Manos a las obras", Haydée Schvartz y Elías Gurevich. Concierto Homenaje al compositor Claude Debussy. Buenos Aires, Argentina www.radionacional.com.ar/manos-a-las-obras-homenaje-a-claude-debussy-a-100-anos-de-su-fallecimiento 15 de Diciembre de 2018 Estreno! Quema para oboe, clarinete en Sib y Fagot. Encargo del Festival Distat Terra 2018/ Fundación AntiquaNova para el Ensemble Aventure (Freiburg). Intérpretes: Alexander Ott (oboe), Walter Ifrin (Clar.) y Wolfgang Rüdiger (Fg.) 15 al 22 de diciembre de 2018 Compositora Invitada del IIIº Festival Distat Terra 2018 - A cargo del IIIº Workshop para jóvenes compositores https://www.facebook.com/fundacionmusicaantiquanova Premiere "live" 02/23/2018. Chapel Santa Maria. Curitiba. Weaving Music by... With the Duo MEI at the VIII MicroConferences on Composition and Contemporary Music, Córdoba, 2018 Home / Bio / Works / Discography/ Publications/ References Agenda / Music/Videos Concerts / Performances Contact / Photos Search results Otros

Activities and Performances Natalia Solomonoff premieres/presentations 2020 Ignition (2019) Premiere! for Saxophone Quartet. Tsunami Quartet Commission. Saxophone Quartet for the 5th Concert of the International Festival of Contemporary Music of the Teatro Gral San Martín Premiere: 01.25.2020 festiva (2019) for flute/bass flute, violoncello and percussion. Premiere in Nürnberg (Germany) Concert: Weltenmusiken.SÜdamerika. Neues Museum Nürnberg, 11:15 am. Ensemble Klangkonzepte. Dir: Wilfried Krüger. Tree of Bliss (2019-2020) Commission of the Ensemble Partita Radicale (Germany) for the "Invitations" Project. Three pieces for two flutes, accordion and trombone. Premiere, with tour and concerts in Bonn, Wuppertal, Bochum and Köln. To replicate in Argentina. (cancelled due to COVID) http://www.partitaradicale.de/ HSxCDxEG (2018), for violin and piano. Concert to be held on 04/30 at: America Society/Council of the Americas. Counter(induction new music. https://www.as-coa.org/events/postponed-counterinduction-nueva-m%C3%BAsica (cancelled due to the COVID pandemic) Quema (2018), for oboe, Bb clarinet and bassoon. Commissioned by the Antiqua/Nova Festival. Performers: Ensemble Aventure (Freiburg) . Premiere in Freiburg (Germany) on 06/26/2020 Spots/Open air concert: at Elisabeth Schneider Stiftung. http://www.ensemble-aventure.de/de/aventure/konzerte/veranstaltung/konzertausverkauft---spots-%E2%80%93-erf%C3%BCllte-augenblicke---open-air-26 premieres/presentations 2019 Sunday May 26 holiday (2019) premiere! for flute/bass flute, violoncello and percussion Commissioned by the Oblique Company in celebration of its 15 years. Direction: Marcelo Delgado Place: La Cúpula, Kirchner Cultural Center, Buenos Aires, 8:00 p.m. http://www.cck.gob.ar/eventos/compania-oblicua-postales-sonoras-de-hoy_3277 Tuesday June 07 quema (2018), for oboe, Bb clarinet and bassoon. Commissioned by the Antiqua/Nova Festival. Performers: Ensemble Aventure (Freiburg) ForumWallis Festival, Schloss Leuk, Switzerland https://forumwallis.ch/programm-2019ensembleaventure.htm concert review: http://5against4.com/2019/06/20/forum-wallis-2019-part-2/ sunday august 25 Talk: Natalia Solomonoff: The rules of the game in her music. Invitation and organization: Kaparilo Ensemble. Rosary beads. Concert: presentation of frameworks , for solo flute and (over)dimensions of dialogue , for piccolo, violin and video. Interpreters: Emiliano Zamora and Ignacio Quiroz Wednesday, September 5, from 5:00 p.m. to 6:45 p.m. Chat : Music in dialogue: compositional and poetic process in living stone (2017) and HSxCDxEG (2018) First National Meeting of Composition. Patagonian University Institute of the Arts. General Roca (September 04 to 07, 2019) http://iupa.edu.ar/sitio/primer-encuentro-nacional-de-composicion-musical/ Tuesday 24 and Friday 27 September drostes (2019) premiere! for chamber ensemble with two percussionists and recorded electronics. Commissioned by Ensemble Reflexion K (Germany) Premieres: Madrid: Teatro Galileo/ Eckernförde: NIkolaikirche Duo Neo Percussion-Ensemble Reflexion K https://www.elcompositorhabla.com/es/noticias.zhtm?corp=elcompositorhabla&arg_id=1764 http://www.neuemusik-eckernfoerde.de/Sept2019_engl.html monday september 30 half-timbered/leathered (2015-2016) for solo flute premiere in Argentina. Interpreter: Paula Cesar First Contemporary Flute Symposium https://sites.google.com/view/dsmc/opportunities/first-symposium-of-flute-contempor%C3%A1nea tuesday october 02 living stone (2017-2019) premiere!! Composed for the Chamber Ensemble of the OEIN. Commissioned by the Experimental Orchestra of Native Instruments of Bolivia Patino Foundation. La Paz, Bolivia https://www.espacio.fundacionpatino.org/obra?id=2236 friday october 4 (over)dimensions of dialogue (2016) for piccolo, violin and video. Argentine Library. Rosary beads. Cycle New Scores . Kaparilo Ensemble Concert Interpreters: Emiliano Zamora and Ignacio Quiroz http://entrenotas.com.ar/ciclo-nuevas-partituras-con-kaparilo/ Thursday October 11 karg (2016), for flute/fl. bass and cello Commissioned by the Duo Reflexion K: Beatrix Wagner (Fl.) and Gerald Eckert (Vc.)- III Conference on Audio and Acoustics, Salta, Argentina http://www.jaas.com.ar/programa/#&gid=1&pid=1 tuesday october 15 karg (2106) Presentation at the IX Microconferences on Composition and Contemporary Music in Córdoba. AUla Magna National University of Córdoba https://www.facebook.com/events/810774102714863/ tuesday october 15 Ariones (2001), for two trombones Contemporary Music Cycle "Félix Garzón" Superior Music Conservatory Auditorium, Córdoba. Organizer: Maria Victoria Asurmendi https://www.ficfe.com/chronogram friday october 26 living stone (2017-2019) premiere in Cuzco, Peru!! Chamber Ensemble of the OEIN. Commissioned by the Experimental Orchestra of Native Instruments of Bolivia. friday november 9 tarjo (2011), for ensemble of 7 instruments Ensemble Reflexion K- Nicolai Kirche Eckernförde. saturday november 23 Conference. First International Festival of Women's Choirs in Latin America. Puerto Madrin, Argentina. Award of the First Composition Contest in honor of Marta Lambertini. highlights 2018 Thursday, August 9, 2018, 5:00 p.m. Presentation of the book Peripheral Readings -Listening , Compiler: Natalia Solomonoff (comp.). Published by Suono Mobile Editora (Córdoba), Sound Present Days , Higher Institute of Music of the National University of the Litoral (Santa Fe). August 23-24, 2018 Panel: "Referents and decolonizing proposals in contemporary Latin American music", Seminar Hispanic Argentine "Globalization and coloniality/decoloniality of knowledge in literature and the arts in Latin America and Spain" (August 23 and 24, Santa Fe). Seminar "Referents and decolonizing proposals in contemporary Latin American music" 4 meetings on Wednesdays in October, from 5:00 p.m. to 8:00 p.m. Higher Institute of Music Teachers C. Guastavino, Rosario. premieres/ others november 2018 Thursday , November 08, 2018 uncertain ground sky (2018), for orchestra Commissioned by the UNC Symphony Orchestra, Composition Micro-days 2018. Córdoba. Saturday November 17, 2018 HSxCDxEG (2018) premiere!, for violin and Piano. Premiere Concert Tribute to Claude Debussy. Assignment of the Manos Program the Work, Haydée Schvartz and Elías Gurevich. https://soundcloud.com/natalia-solomonoff/cdxegxhs December 15, 2018 Burn (2018) premiere! , for oboe, clarinet and bassoon. Commissioned by the Antiqua Nova Festival: Distat Terra Festival 2018. Performers Ensemble Aventure (Freiburg) https://soundcloud.com/natalia-solomonoff/quemasolomonoff December 15 to 22, 2018 Participation as a composer and guest teacher at the Festival Distat Terra Festival 2018 - Third International Workshop for Young Composers AntiquaNova 2018 https://www.facebook.com/fundacionmusicaantiquanova

Natalia Solomonoff, contacto Natalia Solomonoff, Natalia Solomonoff datos de contacto Contact write message and send Your data was sent successfully! Send Home / Bio / Works / Discography/ Publications/ References Agenda / Music/Videos Concerts / Performances Contact / Photos Search results Otros

about Natalia Solomonoff, Natalia Solomonoff Texts Natalia Solomonoff writings, Publishing Natalia Solomonoff NATALIA SOLOMONOFF composer PUBLICATIONS CDS / DVDs *2021: CD TARJO Kompositionen von NATALIA SOLOMONOFF Ensemble Reflexion K Deutschlandfunk- Ambitus (Amb 96 976) Ensemble Reflexion K Beatrix Wagner (Flöten), Anja Schmiel (Oboe), Joachim Strieppn (Klarinetten), Jakob Meyers (Fagott), Eva Zöllner (Akkordeon), Eva Curth (Harfe), Martin von der Heydt (Piano), Vera Schmidt (Violine), Lenka Zupkova (Violine), Christiane Veltman (Viola), Burkart Zeller (Violoncello), Gerald Eckert (Violoncello). Gäste: Maria Bulgakova (Sopran), Natalia Solomonoff (Elektronik) Leitung: Gerald Eckert ambitus (Amb 96 976) http://www.ambitus.de/ambitus/product_info.php/products_id/386 *2020: Natalia Solomonoff: Composiciones 2009-2019 -Viajero inmóvil experimental- *2018: incierto suelo cielo (2018, for Orchestra) and trama (2015, for two flutists), DVD VIIIº Microjornadas de Composición y Música Contemporánea. Orquesta de la Universidad Nacional de Córdoba und Duo MEI. Música para flautas: Patricia García und Juliana Moreno. Video incierto suelo cielo: https://youtu.be/WaYaIAl3Zng Audio from Trama: https://youtu.be/BwPVFmaz1DQ video: https://youtu.be/73hOszukoao *2018: en vivo (2017), for sopran, flute, clarinete, violin, cello and percussion, with electroacustic. Commisioned Work: UNESCO for the Festival Weaving music for radio by Latin american women composers. (Curitiba-Brasil) *2016: trama (2015), for two flutists. CD: Dúo MEI. Música para flautas. Juliana Moreno y Patricia García (Buenos Aires, Argentina). http://www.meiflautas.com/la-region-mas-alta-del-aire-donde-se-engendran-los-cometas-2017/ *2013: Raunächte (2010), for Sopr., flute, clarinete in B, violin, cello, piano and electroacustic. CD: OCTUBRE. Instituto Superior de Música. UNL. Edición: UNL-FADU. “Proyecto Crear” (UNL 2006). *2009: Pájaros Arcanos (2005), for flute, two clarinets in B, fagot (contrafagot), trumpet in B and piano. Cd. (micro)música. Directed by Federico Gariglio. Buenos Aires. Acc Ediciones 2009. Video from the Festival de Música Contemporánea Sgo. de Chile: https://youtu.be/ScmPMYdivJA Audio: https://youtu.be/9YBW1mwyfSw *2005: Ariones (2001), for two trombones: Cd. Ponencias de las “Iº Jornadas de Educación Artística” (Rosario 27 al 29 de octubre de 2005). Maestría en Educación Artística, Escuela de Posgrado de la Facultad de Humanidades y Artes, U.N.R. Soundmaster: Prof. Lisandro Laura. *1999: Calizas (1991), for sopran, violin and flute (1992), in “Panorama de la Música Argentina” (Cd. nº 318, by Fondo Nacional de las Artes, 1999). Audio: https://youtu.be/fkwBQgHNI0M *1995: del Bostezo de Thyke (1994), for violin, clarinete in B, trombone and contrabass (1995), in Cd. “Música Argentina de los ‘90” Premio del 1º Concurso de Composición de la Asociación Editar, sponsored by Afroasiatisches Institut (Austria) and Fundación Antorchas (Argentina). Scores Babelscores https://www.babelscores.com/es/vmvendor?userid=8895&view=vendorprofile https://www.babelscores.com others *2013: Humus (2009), para flauta, arpa, cello y acordeón. Boletín Música N°33 de la Casa de las Américas (La Habana). http://www.casadelasamericas.org/publicaciones/boletinmusica/33/revista.html audio https://soundcloud.com/natalia-solomonoff/humus-2009 *1996: del bostezo de thyke ( 1995), for vn., trbn, cl. y cb. Composition prize 1º Concurso de Composición de la Asociación Editar, sponsored by Afroasiatisches Institut (Austria) y de la Fundación Antorchas (Argentina). Copyright 1997, Asociación EDITAR. Distr. RICORDI AMERICANA S.A.E.C., Bs. As. Articles *2017:“Auf wiedersehen ‘Nachtigall’. Ein Abschied an die Komponistin und Lehrerin Graciela Paraskevaídis”, en Rev. Musiktexte nº 153, Mayo de 2017, p. 9. *2018: “Música que también habla de lo humano. Una aproximación a la composición crítica del compositor Nicolaus A. Huber”, en Escuchas Periféricas, Córdoba: Suono Mobile Editora, Colección Lecturas, 2018, pp. 179-210. ISBN: 978-987-45912-2-7 *2014: “…Vivir tan hondo…” Humanismo y militancia en y por el sonido. Una interpretación de los recursos compositivos y expresivos en la música de Graciela Paraskevaídis a partir de cuatro obras con participación de la voz, en Estudios sobre la obra musical de Graciela Paraskevaídis. Buenos Aires: Gourmet musical, 2014. pp.85-107. *2015: “…Vivir tan hondo…” Humanismo y militancia en y por el sonido. Una interpretación de los recursos compositivos y expresivos en la música de Graciela Paraskevaídis, en Boletín Música nº 39 de la Casa de las Américas (La Habana), pp.41-59. *2014: “…Vivir tan hondo…” Humanismo y militancia en y por el sonido. Una interpretación de los recursos compositivos y expresivos en la música de Graciela Paraskevaídis a partir de cuatro obras con participación de la voz, en Sonidos y hombres libres. Música nueva de América Latina en los siglos XX y XXI. En honor a Coriún Aharonián y Graciela Paraskevaídis . Eds. Hanns-Werner Heister y Ulrike Mühlschlegel. Madrid/ Frankfurt: Vervuert/ Iberoamericana. Biblioteca IberoAmericana, pp.17-34. *2018: “Graciela Paraskevaídis (1940-2017). Más allá de su biografía”, en Revista Pilacremus SUICREA. UNAM Universidad Nacional de México. Pp. 141-145. Editor: Julio Estrada http://suicrea.unam.mx/revistas/pilacremus-2/ *2018: “Coriún Aharonián (1940-2017) Trazos de una semblanza”, en Revista Pilacremus SUICREA. UNAM-Universidad Nacional de Mexico. Pp. 146-150. Editor: Julio Estrada http://suicrea.unam.mx/revistas/pilacremus-2/ *2007:“Crear música aquí, hoy…” (2006), en Pablo Fessel (comp.) Nuevas poéticas en la música contemporánea argentina. Escritos de compositores . Buenos Aires: Colección Libros de Música. Biblioteca nacional. 2007, pp. 137-150. BOOK Lecturas/ Escuchas periféricas Comp. Natalia Solomonoff Suono Mobile Editora (Córdoba) (2018) written about composers and compositions articles: Carlos Mastropietro Osvaldo Budón Chico Mello Marcos Franciosi Thomas Beimel Wolfgang Rüdiger Cristian Morales Ossio Gerald Eckert Natalia Solomonoff Home / Bio / Works / Discography/ Publications/ References Agenda / Agenda 2018-2020 Music/Videos Concerts / Performances Presentations/2015-2018 Contact / Photos Search results

about Natalia Solomonoff, Texts about Natalia Solomonoff References *2016: Baquedano, Miguel Angel. “Composición y función relativa del timbre en la música contemporánea argentina.” en Actas de las Jornadas Argentinas de Musicología, pp.512-528. (Ponencia presentada en la XXII Conferencia de la Asociación Argentina de Musicología y XVIII Jornadas Argentinas de Musicología del Instituto Nacional de Musicología “Carlos Vega”. http://www.ism.unl.edu.ar/media/Musicologia/Actas_2016_AAM_INM.pdf *2015: Paraskevaídis, Graciela: “Niemand. Nur Spuren… Portrait der argentinischen Komponistin Natalia Solomonoff” , en Musiktexte nº 147 , 11/2015, pp. 05-10. https://musiktexte.de/MusikTexte-147 (Fragment one page) *2006: Beimel Thomas: “Ketzerische Klänge aus der Pampa. Komponisten aus Rosario in Argentinien”, en Musiktexte nº 111 . Köln: Musiktexte. 11/ 2006. pp. 19-24. https://musiktexte.de/MusikTexte-111 *1991: Astuni, S. et al. “Solomonoff, Natalia”, en Cien Años de Música Rosarina. Edición de la Universidad Nacional de Rosario.p. 23 Dictionaries *2016: Paraskevaídis, Graciela (mención), en „Lateinamerika” (pp.358-361), en Lexikon Neue Musik . Frankfurt: Metzler/Bärenreite r, p.360 id=4U7_DAAAQBAJ&pg=PA663&lpg=PA663&dq=Lexikon+Neue+Musik+Natalia+Solomonoff&source=bl&ots=ekEAswfk3M&sig=6fqhQT3fY10hwLUxqVVEkxOpDII&hl=es-419&sa=X&ved=2ahUKEwiKrebNhsfcAhWsrVkKHcCoDnEQ6AEwAnoECAQQAQ#v=onepage&q=Lexikon%20Neue%20Musik%20Natalia%20Solomonoff&f=false *2015: Paraskevaídis, Graciela: “Natalia Solomonoff”, en Komponisten der Gegenwart, N º 53, 06/2015. (cuatro carillas) https://www.munzinger.de/search/kdg/Natalia+Solomonoff/919.html *2007: Cozzi, D. et al. “Natalia Solomonoff”, en La Creación Musical en Rosario , Rosario: Secretaría de Extensión Universitaria de la Universidad Nacional de Rosario. *2006: Donoso,L. “Solomonoff, Natalia”en Diccionario Bibliográfico de la música argentina y de la música en la Argentina . Buenos Aires: Gourmet Musical Ediciones, p.471. Video/Radio: 07/10/2020: El trabajo colaborativo entre compositores e intérpretes. Videoconferencia. Punto de encuentro: Interview (Escuela Universitaria de Artes. Universidad Nacional de Quilmes) https://youtu.be/i6TY6wRAyqM 21/04/2020: La cocina de la composición musical. Entrevista: Prof. Lic. Diego Graciosi https://youtu.be/j6jIbVz9RqQ 01/06/2019 (broadcast from 16/04/2016) by Deutschlandfunk. Texts: Thomas Beimel. https://www.deutschlandfunk.de/komponistin-natalia-solomonoff-die-stille-der-abwesenden.1990.de.html?dram:article_id=449295 07/01/2018: Interview Programa radial Núcleo Música Nueva de Montevideo. https://youtu.be/xQ-qrFQQ-pg 15/06/2017: "Compositores argentinos", Programa INMERSO (UN Radio Bogotá) http://unradio.unal.edu.co/nc/en/detalle/cat/inmerso/article/compositores-argentinos.html Home / Bio / Works / Discography/ Publications/ References Agenda / Music/Videos Concerts / Performances Contact / Photos Search results Otros

On this site I present my activity as a composer. My creative work encompasses the composition of chamber, symphonic, mixed and improvisational works. I studied composition in Argentina and Germany Currently I am especially interested in Latin American musical thought and creation, creative and learning processes in composition, the music-society-politics relationship. Some of my works have been edited by: ambitus/Deutschlandfunk (De), Rev. MusikTexte Köln (De), Instituto Iberoamericano de Berlin-Ed. Vervuert- (De/Es), National Endowment for the Arts (Arg), National Library (Arg.), Casa de las Américas (Cu), Editorial Gourmet Musical (Arg), Suono Mobile Editora (Arg), among others. REFERENCES By Thomas Beimel, in die Argentinian Komponistitn Natalia Solomonoff. Die Stille der abwesenden Vögel. "Wide flows the violent, muddy Paraná in front of Rosario, Natalia Solomonoff's hometown. Equally powerful and firm is her music, which has nothing to do with the description of an idyllic landscape (…). The Argentine composer born in 1968 She continues the impulse of the South American avant-garde in two different ways: her compositions are based on the one hand on the sensitive and direct construction of very refined sound combinations and on the other hand she understands her compositional work as a testimony of the time. " Monographic program broadcast by the radio station Deutschlandfunk on 4/16/2016 https://www.deutschlandfunk.de/die-argentinische-komponistin-natalia-solomonoff-die-stille.1990.de.html?dram:article_id=350715 By Graciela Paraskevaidis, in "Niemand. Nur Spuren. Die argentinische Komponistin Natalia Solomonoff", in MusikTexte no. 147, 2015, p.7 “(…) Solomonoff's motivations are multiple, but always concise. On the one hand it reflects the history of South America from the indigenous ritual to the tango, on the other, the sensitive German world from Schönberg to the “Raunächten”. His music is a music that, in the words of Nicolaus A. Huber, “informs something about music”. But the information in this music comes from a very specific historical and social context. Her explosive sound sculptures stand for another reality about which the composer communicates as an auditory witness. In doing so, it extends a wide arc from the aesthetic to the political, from the abstract to the sensitive, from the social to the personal. https://musiktexte.de/MusikTexte-147